Word: rembrandt
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Dates: during 1950-1959
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...Painters Jack Levine and Andrew Wyeth give professional appraisals. Hopper "does what he sets out to do," Levine says admiringly. "No dreams of the old masters set him off his course . . . Hopper looks inland. He's an American painter all the way." Wyeth goes farther still: "What makes Rembrandt so very great is that his concern for other people and for nature always shows through, giving his paintings a dimension of identification and self-effacement that is almost unique in art. Titian doesn't have it, and certainly Rubens doesn't. Hopper...
...only occasionally Chagall's restless habitat between ecstasy and agony. It is a spectrum of art, inspired by Old Testament themes, that begins with paintings from the Roman catacombs and covers more than 14 centuries before it comes to rest with the all but serene Biblical painting of Rembrandt. The contrasts are fascinating: between the somber faith of the Spaniards and the Gallic directness of the French, the controlled warmth of the Italians and the austere faith of the Germans. It is a brilliant sampling that shows, among other things, how national character, as well as time and place...
...instance, at MIT an experimenter has built a machine that can "reproduce" the work of any artist, whose style is distinctly recognizable. By giving the machine an electronic "character," the builder can make it paint a Rembrandt or a van Gogh that stumps the experts. But there are definite limits to these potentialities. As Batteau points out, three months of human experience is enough information to saturate a computer the size of the Earth for as long as the machine could last...
...many years past about the iniquity of the way Italian pictures particularly are being skinned alive by restorers." Other letters pointed out various masterpieces in London's National Gallery which may have ceased to be masterpieces through too much cleaning. Among them: pictures by Giovanni Bellini, Botticelli, Titian, Rembrandt, Velásquez, and even Leonardo's great Virgin of the Rocks. Leonardo's figures, wrote one angry correspondent, "are now bathed in a light only seen on the faces of the dead; or the neon lighting of a coffee...
...most quietly regal of all sculptured ladies reigned once again this week over West Berlin's Dahlem Museum. Nefertete ("The Beautiful One Has Come") is the museum's most popular treasure, along with Rembrandt s Man with a Golden Helmet, and she has been away a long time. Cached for safekeeping in a salt mine during World War II, she was found by U.S. troops and warehoused in Wiesbaden. Not until this summer was Nefertete wrapped in tissue paper, put in a nest of boxes filled with ground cork and gingerly brought back to her air-conditioned glass...