Word: parthenon
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Dates: during 1980-1989
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...must ask, Can you rebuild a pyramid into the Parthenon? The ancient Egyptian pyramids are rightly considered the most enduring of architectural forms -- much more durable and solid than the Parthenon. And the legitimate question arises: Do pyramids lend themselves to perestroika? It would be possible, of course, to adorn them with decorative colonnades, to cover them with molding, to suspend Greek porticoes on them. But would these changes enhance them? Wouldn't they spoil the fundamental style and profile...
Creon (Peter Mitchell), Jason's father and ruler of Corinth, can be blamed for the relationship's messy breakup. Trying to be a good father, he looks out for his son's political best interests. He realizes that Medea is not from the right side of the Parthenon, so he sends her walking. Likewise, Medea's Nurse (Zoe Mulford) is looking out for her charge. Mitchell's hard-edged Creon is not exactly Heath-cliff Huxtable. But Mulford, with her sympathetic swooning and simpering, makes Mrs. Cleaver look like an absentee parent...
...commercials. When last seen, Chase was muttering a German phrase, roughly translatable as something unprintable. Jeff Wise will reside in Manila, supporting either Marcos or communist insurgency by knocking over tourist bingo games. Andrea Monfried will sojourn to Greece and promises to spray paint "Bono is God" on the Parthenon. And Mimi Sheller will slip down to Mexico to buy drugs. As usual, I'm staying here to do all the dirty work for a hopeless bunch of miscreants. Oh well. Until September...
...each new national group has its common calling. The division of labor establishes new, fairly benign stereotypes. Africans, mostly young men, sell sunglasses, umbrellas and baubles from blankets spread on Manhattan sidewalks. Albanians own apartment buildings. Greeks set up coffee shops, the walls invariably decorated with murals of the Parthenon. Koreans, it seems, suddenly own every vegetable stand in the city. Poles are especially attracted to the travel-agency business, and Russians drive taxis...
Throughout his long life, and for 150 years after his death, George Stubbs (1724-1806) was known as a horse painter. Never mind the Parthenon frieze, the Marcus Aurelius, the equestrian portraits of Verrocchio or Donatello, or any of the rest of the vast repertory of equine imagery in Western art: horse painting, like "sporting" art generally, tends to be seen as a minor style of aesthetic tailoring, shaped to reflect the blunt amusements of a class not much liked by connoisseurs. Painters like Sir Alfred Munnings, who filled canvas after canvas with accurate replications of poised fetlocks and lobb...