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Word: painter (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...taking three steps back to jump over the wall that leads to the unknown," said Painter André Marchand. An exhibition of four dozen new Marchand canvases in a Paris gallery last week underlined his words. Critics praised the pictures to the skies ("one of the most interesting painters of our generation"). At 42, Marchand was still much in debt to Picasso and Matisse, but there was something new and strange about his work...

Author: /time Magazine | Title: Art: Over the Wall | 12/26/1949 | See Source »

Britain's Royal Academy had a new president. At 71, red-faced Sir Alfred Munnings, a rip-snorting conservative and painter of fine horseflesh, had resigned. Into his strait-laced boots last week stepped a 70-year-old Irish portraitist named Sir Gerald Kelly. As befitted a president of the huffy, stuffy R. A., Sir Gerald was on the conservative side too, but he expressed his views more gently than Sir Alfred had. To Sir Alfred, modern art was "damned nonsense" (TIME, May 9). Sir Gerald's judgment: "Some good, some bad and some indifferent, and some . . . danged...

Author: /time Magazine | Title: Art: Changing the Guard | 12/19/1949 | See Source »

Sound Analysis. In Sausalito, Calif., Justice Walter Derr fined Artist Rodney Roth $50, ruled that the sound Mrs. Valerie Humphries had made at a party when Roth bit her bare midriff was "a yell of pain" rather than, as the painter had testified, "a cry of ecstasy...

Author: /time Magazine | Title: Miscellany, Dec. 19, 1949 | 12/19/1949 | See Source »

...pictures in last week's show were not in the least moving, and they were the ones that proved how cold, competent and clear-eyed a painter Stuempfig is when he chooses not to be romantic. Dark, highly polished still lifes of vegetables on a table, they were so expertly done as to invite comparison with the 18th Century French master, Jean Baptiste Chardin...

Author: /time Magazine | Title: Art: The Romantic Mood | 12/12/1949 | See Source »

Loathe Labels. Like any artist worth the name, Stuempfig loathes labels. He accepts the label "romantic" only because he believes that "all good painters are romantic painters. You have to have a certain romantic approach to life or you wouldn't be a painter in the first place. I can't define the word; to me it applies even to Thomas Eakins and Velasquez...

Author: /time Magazine | Title: Art: The Romantic Mood | 12/12/1949 | See Source »

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