Word: orchestra
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...Bloom ’12, the assistant financial manager for the Harvard-Radcliffe Orchestra, entered the bank just after the man left. She was the only customer in the lobby when she entered the bank, and she was depositing a large sum of money at the counter when she noticed the teller who was counting her money drastically slowing down. Bloom said she saw that her teller was distracted by another teller’s facial expression...
...Goto ’11, brother of renowned violinist Midori Goto, will join the Bach Society Orchestra (BachSoc) this Sunday in a concert featuring the music of Strauss, Mendelssohn, and Brahms. Goto will solo in Brahms’ Violin Concerto. Touted by conductor Lorin Maazel as one of the finest young performers today, Goto has toured internationally over the past several years, playing with the London Symphony, the Orpheus Chamber Orchestra, the Shanghai Philharmonic, and the National Symphony in Washington, D.C. This semester, Goto has performed in Kansas, San Francisco, and Mexico City...
...European orchestras tend to be opinionated—German orchestras especially. Playing the Brahms concerto in Germany—Brahms’ homeland—was a challenge for me because I am Japanese-American and have a heritage that has nothing to do with Germanic or Austrian music. But I could immediately tell [the music I was playing] just fit there. It was just natural for the audience and the orchestra. It was the same playing a Paganini Concerto with an Italian orchestra and Lorin Maazel. I felt like I was just playing by myself because they were...
This past Saturday was a night of firsts for guests of the Boston Symphony Orchestra. In an all-French program, acclaimed Italian conductor, Fabio Luisi, and French pianistic upstart, Lise de la Salle, made their BSO debuts. While the concert did not feature the careful artistic consideration the BSO lends to its usual program of heavier masterworks, Luisi and de la Salle substituted a delightful helping of flair for the conventional dose of substance—a move that was quite appropriate for the lighter musical fare these particular pieces offered...
...orchestra again took center stage for the program’s finale, a performance of the 1947 version of Igor Stravinsky’s burlesque in four movements, “Petrushka.” Petrushka, which was first performed by Diaghlilev’s Ballet Russes in 1911, provides a delightful contrast to the composer’s later, seminal work Le Sacru du Printemps (“The Rite of Spring”). Petrushka’s plot line of musical puppets cavorting on a fairground cannot begin to compete with Stravinsky’s story...