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...orchestra again took center stage for the program’s finale, a performance of the 1947 version of Igor Stravinsky??s burlesque in four movements, “Petrushka.” Petrushka, which was first performed by Diaghlilev’s Ballet Russes in 1911, provides a delightful contrast to the composer’s later, seminal work Le Sacru du Printemps (“The Rite of Spring”). Petrushka’s plot line of musical puppets cavorting on a fairground cannot begin to compete with Stravinsky??s story...

Author: By Monica S. Liu, CRIMSON STAFF WRITER | Title: Guests Bring Flair To Traditional BSO | 11/16/2009 | See Source »

Nearly a century ago in Paris, the world premiere of Stravinsky??s ballet “The Rite of Spring” with the Ballet Russes was met with such an intense riot that the performance had to be stopped in an attempt to quell the uproar. The extreme chaos and newness inherent to the music and the accompanying dance incited the outrage of the conservative audience. However, decades later, the brilliance of Stravinsky and the choreographer of the Ballet Russes, Sergei Diaghilev, revealed itself, drastically changing the course of ballet and classical music.On Saturday night, the Harvard...

Author: By Matt E. Sachs, CONTRIBUTING WRITER | Title: ‘Rite’ Isn’t Quite Right Without Innovation | 4/21/2009 | See Source »

...Printemps”), two ballets with specially commissioned scores by Igor Stravinsky, are perhaps two of the most famous; the latter, with choreography by the legendary dancer Vaslav Nijinsky, caused a furor at its inception by virtue of its outrageous costumes, unusual choreography, bizarre story of pagan sacrifice, and Stravinsky??s musical innovations, all of which tested the patience of the audience to the extreme. “My hope at the symposium is to recapture something of the excitement of the premiere, by thinking about the context in which the Rite’s first audience experienced...

Author: By Erica A. Sheftman, CONTRIBUTING WRITER | Title: Harvard Celebrates Centennial of the Ballet Russes | 4/10/2009 | See Source »

...improvisers first and foremost.”But jazz isn’t the defining element of The Bad Plus, whose latest album features both original tracks and a number of covers, including renditions of Pink Floyd’s “Comfortably Numb” and Igor Stravinsky??s “Variations d’Apollon,” a 20th century classical piano piece. “We rework rock music, we play original music, we play classical music, we score for dance, we’ve got music for fashion...

Author: By Susie Y. Kim, CONTRIBUTING WRITER | Title: Bad Plus Adds Diverse Musical Elements to Jazz | 4/2/2009 | See Source »

...dancers in this piece are predictably dressed in ruby-red, the women donning the skimpiest outfits of the production—perhaps a nod to the New York City jazz clubs. The salacious energy of jazz combined with ballet creates a fascinating, discordant form of dance reinforced by Igor Stravinsky??s slightly off-key “Capriccio for Piano and Orchestra.” The “Capriccio,” true to its name, changes tone and instrumental focus every minute or so, and at times seems to have two themes playing at once. Similarly...

Author: By Catherine A Morris, CONTRIBUTING WRITER | Title: Boston Ballet Dances 'Jewels' | 3/1/2009 | See Source »

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