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...Storm King Art Center Stretching west of the Hudson River for about 200 hectares, this mammoth park is big enough to justify the tram tours. Notable works include Alexander Calder's The Arch, a fearsome structure that looks like something left behind by alien visitors, and Louise Nevelson's City on the High Mountain - a piece in black steel that abstractly suggests an urban dystopia and might remind visiting Manhattanites not to hurry home. More details at www.stormking.org...

Author: /time Magazine | Title: Sculpture Parks: Out in the Open | 2/25/2010 | See Source »

...held the “Stock Up” exhibit. For that show, the Glimchers asked their friends to host the artists who were being shown. Occasionally, however, they would splurge on a “judicious” risk—to tempt the famed sculptress Louise Nevelson into showing with them in Boston, they put her up in the Ritz...

Author: By Eugenia B. Schraa, CRIMSON STAFF WRITER | Title: Keeping Pace For Forty Years | 2/1/2002 | See Source »

...sold anything, it would have been a catastrophe,” said Glimcher, laughing. Their largesse is support of her work, however, won them her friendship and loyalty, which proved extremely important to the future of the gallery. When it moved to New York in 1963, Nevelson joined with Pace, influencing other prominent artists to join as well...

Author: By Eugenia B. Schraa, CRIMSON STAFF WRITER | Title: Keeping Pace For Forty Years | 2/1/2002 | See Source »

extremely important to the future of the gallery. When it moved to New York in 1963, Nevelson joined with Pace, influencing other prominent artists to join as well...

Author: By Eugenia B. Schraa, CRIMSON STAFF WRITER | Title: Keeping Pace For Forty Years | 2/1/2002 | See Source »

Smith's work is at its best with the 1960 "Doorway on Wheels." Another assemblage of found and manufactured elements arranged in a strikingly two-dimensional form, this piece recalls Louise Nevelson's monumental works. The work's visual center is not the titled egress, but rather the bow of diamond-forms and supports that it frames...

Author: By Frank A. Pasquale, | Title: David Smith's Abstract Identity | 11/30/1995 | See Source »

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