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...Abstract Art" underpublicized and virtually hidden behind an exhibition of antique clocks. The show opened December 11, but it has not received the exposure and recognition it deserves. The exhibition examines the uses of color and tones in abstract art, spanning from Picasso's Cubist collages to Louise Nevelson's monochromatic sculptural reliefs...

Author: By Mark Roybal, | Title: Significant `Shades' | 1/21/1994 | See Source »

...ground. Here, the paintings themselves become part of a larger painting, with the wall of the room its canvas. Kelly has broken the barriers of the canvas and expanded the field of space in order to create large planes of pure color--or in this case, pure shades. Louise Nevelson blurs the lines of sculpture and painting in Study for Sky Covenant (1973) and Total Totality. She frames numerous, irregular shapes of wood pieces and paints them black. Because of the different textures, angles, and spaces of these forms, different shadows are created and provide the works with interesting color...

Author: By Mark Roybal, | Title: Significant `Shades' | 1/21/1994 | See Source »

...Borofsky's flatulent bits of pictorial free association, or Keith Haring's cute squiggle salads, be thought more original, let alone more beautiful, than the best work of, say, Susan Rothenberg, Nancy Graves, Elizabeth Murray or Vija Celmins? Where are those formidable senior talents, the two Louises, Bourgeois and Nevelson, without whom no account of the post-Surrealist vein in America can be adequate? And what about -- but enough, enough already. One can see why there's a big self-portrait by Philip Guston, full of weltschmerz and peeking nervously over the top of a wall. He must have been...

Author: /time Magazine | Title: Art: The View From Piccadilly | 10/4/1993 | See Source »

...National Museum of Women in the Arts is a virtuous bore. Until ten years ago, with a few resolute exceptions like Georgia O'Keeffe, Mary Cassatt and Louise Nevelson, women artists were shabbily treated by American museums and either omitted from their collections or treated as token presences. The idea that art by women was necessarily second rate lingered discreetly in some quarters through the '70s. Today it is gone, at least in America. Apart from political enlightenment, one of the things that killed it was the growth of the art market. Now that any list of collectors' favorites...

Author: /time Magazine | Title: Art: How To Start a Museum | 8/10/1987 | See Source »

...year-old Nevelson developed sculpture through processes that could have an unexpected power, not framed by conventions of human figures," Neil J. Levine, chairman of the Fine Arts Department, said this week...

Author: By Michael W. Hirschorn, | Title: Skinner, Volcker, 8 Others to Receive Degrees | 6/6/1985 | See Source »

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