Word: mannerists
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Lachaise was a bit obsessed himself. To him, women were mountains, Earth Mothers, the "life force" of the universe. He used them with a kind of explicit symbolism, exaggerating their shapes sometimes beyond recognition, twisting their bodies with almost mannerist intent. His work is frankly sexual; so much so, in fact, that the Museum of Modern Art would not include some of his last and best pieces in its retrospective show in 1935. Many of them were never cast until the Los Angeles Museum put them into bronze for this show. But Lachaise never intended to embarrass or astonish-only...
...High Art." The so-called "hard edge" artists believe that they are reaching for a new classicism. They refer to their work as "high art," as opposed to "pop art." In their self-conscious striving, their purity is strikingly mannerist and overrefined. Colors run contrary to esthetic handbooks, forms repeat until they become rote, composition is twisted out of balance...
...serious value. Over the years, Ray adopted whatever ism was the going one at the time, adding to each a fast-growing repertory of stock techniques: the placement of the curious (whether an object, texture or color) next to the ordinary, the abrupt disordering of space, an almost mannerist play of light. He jumped like a child at hopscotch from Fauvism to cubism to Dadaism to sur realism, but it was Dada that shaped him most. He was one of the few American members of the original school, and for him it never really died: his determined disrespect...
...Social Mannerist Amy Vanderbilt, who as the U.S.'s leading lecturer on etiquette has gamely smiled at many a photographer's bidding, returned from her latest tour to report a minor sociological phenomenon: regional differences among photographers in the word they ask their subjects to say in order to produce an animated expression. In Hollywood, reports Miss Vanderbilt, the favorite word is ''sex." In the Midwest, it is "cheese." In the South, "honey" or "really." In Manhattan, "money...
...period of Shakespeare's creative productivity covered the rich years from about 1590 to 1613. During this span the Renaissance style was on the wane, though still much in evidence; the Mannerist style was in full swing; and the Baroque style was in its vigorous infancy. Thus it is that Shakespeare's output reflects all three styles: in the tragedies, for example, Othello is Baroque, Hamlet and King Lear are Mannerist, and Romeo and Juliet is Renaissance...