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Harvard students eat in dining halls designed to accommodate hundreds of people, work out in gyms where entire schools of the University have swipe access, sit in lectures that entertain over 600 people, and sleep on hallways with dozens of other rooms. With the addition of roommates, even the bedroom becomes a quasi-public space...

Author: By Elyssa A. L. Spitzer, CRIMSON STAFF WRITER | Title: The Writing on the Stalls | 4/29/2010 | See Source »

Sadej first posted after the Harvard-Yale game when she found herself attracted to a fellow Dunsterite but unable to make the first move. “I wanted to try my luck and entertain my friends,” she said. “I’m kind of shy with guys. I don’t like to initiate because I feel whenever I initiate I’ve gotten hurt in the past. So I just try to put myself out there but not directly say, ‘Hey, what are you doing tonight...

Author: By Elyssa A. L. Spitzer, CRIMSON STAFF WRITER | Title: The Writing on the Stalls | 4/29/2010 | See Source »

...political class and the artistic class, a lack of interest, a lack of involvement, which struck me as tragic because we’re not economic animals—we’re ultimately cultural animals. We are who we are, the language we speak, the notions we entertain, all of these are cultural, the things we do artistically, the things we take in. So to have a class that was so disconnected culturally struck me as very dangerous. I thought: what can I do as a citizen, a citizen of the arts? I decided, well...

Author: By Anna M. Yeung, CRIMSON STAFF WRITER | Title: 15 Questions with Yann Martel | 4/23/2010 | See Source »

...date (Third Eye Blind), pleasingly out-of-place (Wu Tang Clan), and actually very good (Ratatat). By crowding this year’s bill with three acts, the Harvard Concert Commission and College Events Board (CEB) had the chance to bring in an even wider diversity of groups to entertain the campus...

Author: By Chris R. Kingston and Alex C. Nunnelly, CRIMSON STAFF WRITERS | Title: Day or Nite, Yardfest Does Not Entertain | 4/20/2010 | See Source »

...Town.” Mamet has some intriguing thoughts about how the play utilizes language with verisimilitude to American dialect. The problem is that he insists that “the vulgate, the actual language of the people can be found only in the cultural anathemas known as popular entertainment.” This argument is tenuously developed to a frustrating conclusion: “The job of the dramatist is to get, and that of the actors and directors to keep, the asses in the seats. Period. This is what pays the rent.... The purpose of theatre...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: David Mamet’s Overstated ‘Theatre’ | 4/13/2010 | See Source »

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