Word: mannerists
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...radiant flesh, whose bodies we feebly classify as "fat"-seem, as Sir Joshua Reynolds once remarked, to have "fed upon roses." The late landscapes he painted around Chateau de Steen, his country seat out side Brussels, are an extraordinary blend of the God's-eye-view landscape of mannerist art with the dense enumeration of Rubens' own material possessions...
...1890s, the story focuses on Harry Brown Jr., a black hoofer played with high-stepping panache by Glynn Turman. Dreaming of fame on the minstrel circuit, he teams up with Charlie Bates, a shady con-mannerist portrayed by Tony Award Winner Ted Ross (The Wiz). The stage is still the white man's domain, however, and Bates, Brown and their fellow black performers must stick to the formula of blackface makeup and plantation humor. They are forced, in vaudeville's looking-glass world, to imitate the white man's parody of blacks...
...wizened and musty tissue that presumably lies inside the silver casing was ever attached to a historical personage named Mary Magdalene. The odds are against it, since the relic has no written history older than the 17th century. Instead, the quasi-magical object has become a fine piece of mannerist silverware, culturally almost as distant from us as an African nail fetish...
...keyword to both the play and this production is balance. Much Ado, like the other plays in Shakespeare's Renaissance style (as opposed to his Mannerist and Baroque styles), exhibited a good deal of symmetry. The central tragicomic Claudio-Hero plot is balanced by the high comedy of Beatrice and Benedick and the low comedy of Dogberry and Verges. The evil bastard Don John is a foil to his genial legitimate brother Don Pedro; and these young brothers contrast with the older-generation brothers Antonio and Leonato. Don John's two male attendants (Borachio and Conrade) balance. Hero's female...
...necessity of love, but that message is articulated every week on Laugh-In: "Whatever turns you on . . ." Night is by Leonard Melfi, considered one of off-Broadway's emerging playwrights. At a pseudo-lyric funeral, a group mourns the loss of their blowhard leader. A new con-mannerist appears, spouting worthless dreams, and they all follow him off in a witless parody of resurrection...