Word: leporello
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
Costumes, too, reflect the production’s deliberate commitment to simplicity. As a result, the design adheres to traditional symbolism—white for the bride Zerlina, black for the mourning Donna Anna, a brown vest for the dingy servant Leporello, and a tuxedo for his master...
...Giovanni (played by professional actor Graham Wright), the suave charmer, seduces women both on- and off-stage with his rich voice. His interactions with his servant Leporello (professional actor Miles Rind) reveal the intimate comedy that occurs between two men who know each other all too well. Maintaining the understatement of the production, the vocalists were careful not to play their humor over-the-top, coaxing the audience members to feel like they were part of an inside joke...
...opera singer. He took lessons and sang around school. And in the weeks before he fled Hungary, Grove and a handful of classmates sang the first, murderously lovely scene of Don Giovanni in a Budapest recital. Grove can't remember if he took the part of the footman Leporello (who beseeches, "Potessi almeno di qua partir!" [I wish I could escape!]) or the blackguard Don Giovanni (who bellows, "Misiero! attendi se vuio morir!" [Wretch, stay if you would die!]) in the performance. He took the Don's advice...
Whatever the alchemy that makes a star of a fine singer, Terfel has it. All his Metropolitan Opera performances this fall in the title role of The Marriage of Figaro and as Leporello in Don Giovanni "went clean" -- theatrical slang for sold out -- before the first curtain went up, and there were scuffles in the line for tickets to his New York City lieder recital last month. Onstage his presence is riveting. Both Figaro and Leporello are servants, but there is no trace of the oaf or the buffoon in Terfel's portrayals. In both parts he can be physically...
...impresarios tried to persuade him to take mighty roles. If he wanted to, he could be singing Wotan in the Ring cycle all over the world. But Terfel has another quality: intelligence. He aims to conserve his voice for a long career, so for now it is Figaro and Leporello and a few comparably medium-weight roles. He also loves to sing lieder and other nonoperatic works. Conductor Claudio Abbado remembers the "beautiful vocal subtlety and understanding" that he brought to their recording of Schumann's difficult Faust...