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Taking a cue from some old vocalist dude (Frank Somebody-or-other), Cabot House invites you to “Fly [It] to the Moon.” Expect great music on this one, with a healthy mix of current hits and timeless standards. Another plus: this formal will take place outside on the gorgeous Moors Terrace (Think: “I can see my House from here...

Author: By Sean Cuddihy, CONTRIBUTING WRITER | Title: Let the Formals Begin! | 4/26/2010 | See Source »

Sigur Rós haven’t released an album since 2008’s “Með suð í eyrum við spilum endalaust,” and despite their indefinite hiatus, lead vocalist and guitarist Jón “Jónsi” Birgisson has stayed busy, releasing an album titled “Riceboy Sleeps” with his boyfriend, graphic artist Alex Somers, last year. Jónsi’s first solo effort, “Go,” features the instrumental arrangements of composer Nico...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Jónsi | 4/13/2010 | See Source »

...dance music production style, but together Slim and Byrne explore an impressive range of genres. “A Perfect Hand” presents a guitar and piano simplicity that would be at home on a Bruce Springsteen album, with lyrics to match. Steve Earle, the only male vocalist on the album besides Byrne himself, growls, “There are many ways to win a game / And skill is not enough,” inviting the listener to imagine the pressure put on Marcos as a young woman striving for upward mobility in a society with no semblance...

Author: By Adam T. Horn, CONTRIBUTING WRITER | Title: David Byrne and Fatboy Slim | 4/6/2010 | See Source »

Lauper headlines a cast of female vocalists that present a compelling and sexy image of Marcos’ character. Florence Welch, lead vocalist of British indie act Florence and the Machine, establishes this feel in the title track opener, crooning, “When I am called by God above / Don’t have my name inscribed into the stone / Just say, ‘Here Lies Love...

Author: By Adam T. Horn, CONTRIBUTING WRITER | Title: David Byrne and Fatboy Slim | 4/6/2010 | See Source »

While he moved to Europe during the mid-century to escape racial prejudices against African Americans, he continued to work throughout this time, and “Moody’s Mood for Love” increased in popularity with jazz vocalist King Pleasure’s own 1954 rendition, Everett says...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: OFA Honors Moody's Jazz | 4/6/2010 | See Source »

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