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...mushroom cloud. Michael Smith and Alan Herman produced a mixed-media work in 1983 called Government Approved Home Fallout Shelter Snack Bar, a survivalist food counter for the prudent nuclear family, equipped with provisions and three stools. In 1981 Robert Morris created a huge work for the Hirshhorn Museum in Washington, titled Jornada del Muerto, after the site of the Trinity test. Morris' effort includes a drawing called The Miyuki Bridge, the bridge to which Kawamoto fled on Aug. 6, 1945, and photographs of Einstein and Oppenheimer juxtaposed with that of a torn and burned...

Author: /time Magazine | Title: What the People Saw: A Vision of Ourselves | 4/12/2005 | See Source »

...stranger to the University, Lentz received both his masters and doctorate in Islamic art from Harvard. He assumed his post at the Smithsonian in 2000, heading up its Freer Gallery of Art, Arthur M. Sackler Gallery, Hirshhorn Museum and Sculpture Garden and the National Museum of African...

Author: By Kristi L. Jobson, CRIMSON STAFF WRITER | Title: Search for Museum Director Nears End | 8/15/2003 | See Source »

...maybe we have forgotten. Grasping the essential character of the beautiful has long been the object of philosophical and theoretic interest and finds expression through this exhibit's formalist regard. In recent years, there has been a revival of aestheticism; witness the Regarding Beauty exhibition last year at the Hirshhorn. Recent literary investigations also suggest an atmosphere of palpable eagerness to explore beauty topically. The revival is a kind of return to beauty for art's sake, liberated from any service or subordination to a social or political climate of interpretation...

Author: By Amanda Gill, CONTRIBUTING WRITER | Title: BEAUTY CONTEST: SHOULD ART BE PRETTY? | 10/27/2000 | See Source »

...Bruce Nauman exhibition was co-curated by Neal Benezra of the Hirshhorn Museum and Kathy Halbreich of the Walker Art Center. Although Nauman appears as his own subject in a number of his works, the clown in Clown Torture is not the artist, as Hughes wrote. Also, the sculpture From Hand to Mouth, a part of the Hirshhorn's collection, is not a cast of body parts of the artist but of his first wife. And finally, the parallel between that sculpture and Duchamp's With My Tongue in My Cheek is noted in Benezra's catalog essay, though...

Author: /time Magazine | Title: Letters, May 15, 1995 | 5/15/1995 | See Source »

James T. Demetrion, Director Hirshhorn Museum and Sculpture Garden Washington

Author: /time Magazine | Title: Letters, May 15, 1995 | 5/15/1995 | See Source »

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