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...cylinder four stories high and 231 ft. across, sheathed in granite aggregate the color of flushed elephant skin. The outside wall is blank except for an embrasure; one looks (in vain) for the muzzle of a 16-in. gun peeping from the slit. Such, on first glimpse, is the Hirshhorn Museum and Sculpture Garden, built to house the enormous collection of 4,000 paintings and 2,000 sculptures that Joseph Hirshhorn, 75, the feisty, thrusting and by no means universally loved uranium mogul, presented to the nation...

Author: /time Magazine | Title: Art: The Avid Eclectic | 9/30/1974 | See Source »

Private Fief. The Hirshhorn collection is by far the largest public bequest of art ever made by a single American. It opens next week, after three nights of inaugural ceremonies punctuated by a "recording of opening fanfare played over sound system at intervals in the lobby." From the turning of the sod to the tootling of the brass, the building has cost $16 million and provoked steady criticism from those who see it as a feat of egotism. (Not even Andrew Mellon, critics complain, insisted that his name should stay in the title of "his" nearby National Gallery.) The Hirshhorn...

Author: /time Magazine | Title: Art: The Avid Eclectic | 9/30/1974 | See Source »

...Hirshhorn collection has always been controversial, partly because nobody except Abram Lerner, its director, and Hirshhorn has seen everything in it. Hirshhorn has been collecting longer than the Museum of Modem Art, and with hardly less money at his disposal. The tone has been one of impetuous enthusiasms and voracity, rather than the historically balanced connoisseurship a great museum needs. Thus Hirshhorn's enthusiasm for De Kooning has resulted in a superb group of early De Koonings, whereas some other key abstract expressionists, notably Pollock, are represented by weak or indifferent works. So although the works on view...

Author: /time Magazine | Title: Art: The Avid Eclectic | 9/30/1974 | See Source »

...spent ten years in remote villages working with stonemasons. Then in 1955 he had his first show in Tokyo - and sold nothing at all. But over the next several years, visiting Americans began to buy his works - Architects Philip Johnson and Marcel Breuer, Collectors William Paley and Joseph Hirshhorn...

Author: /time Magazine | Title: Art: Please Touch | 12/3/1973 | See Source »

...other, while the mirror this time picks up the image of an attendant voyeur calmly chatting on the telephone. The work is by Britain's Francis Bacon, 59, currently being shown at Manhattan's Marlborough-Gerson Gallery. The new proud possessor is the multimillion-dollar Joseph H. Hirshhorn Foundation, which already owns seven Bacons and cheerfully parted with an estimated $150,000 to buy this...

Author: /time Magazine | Title: Painting: Prelude to Butchery | 11/29/1968 | See Source »

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