Word: exterior
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Dates: during 1970-1979
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...speaking softly, a clear ribbon of regret winding through the words. But at tims, Hanes' voice rings too smoothly, Shakespearean in tone, stagy. Tom is a writer, not an actor, and the immense presence that Hanes gives his character is oddly wrong, too smug, too fulsomely gesturing, too much exterior acting. It is a terrific role, at once subtle and obvious, but the actor's energetic anger, bitterness and sense of adventure must come from deep within. In the scenes that call for dynamic confrontation with Amanda, Hanes is very good, but at other times he is too pompous...
...research university must both teach its undergraduates and give advice to exterior institutions who need our research. Of course students often want more personal contact with the faculty--that is a problem facing all great universities. We must naturally encourage teachers to give their time to undergraduates," Bok said...
...little evidence of the sense of humor some of our experts had detected beneath the glacial exterior. Either my only attempt to strike a light tone backfired, or else Kosygin's humor was too subtle for me. At the end of the summit, we boarded a Soviet plane. To the considerable chagrin of our Soviet hosts, its engines refused to start. Kosygin stormed on the plane and said: "Tell us what you want to do with our Minister of Aviation. If you want him shot on the tarmac we will do so." He looked as if he might...
...officers--a few of the 500-plus who were bussed in for the occasion--stood the containment building which will enclose the nuclear core, that energy-and-radiation-producing network of fuel rods, uranium pellets and cooling pipes. The containment, looking out over Long Island Sound, its grey exterior matching the thick cloud covering above, was the symbol of the nuclear power plant; to those who had come to protest it, it represented all that was evil about nukes. Though no protesters would actually reach the reactor building that Sunday afternoon (and only one tried), it was visible throughout...
...Accompanying the characters, their camera embraces a characteristic part of the environment while maintaining a compositional coherence of the moving image. The background in these takes persistently changes in design and perspective while the foreground is periodically "disturbed" by the turbulence of passing vehicles or silhouetted pedestrians. While the exterior long trackings are executed in medium shots with a pronounced depth of field(except in one specific case), New York streets are clearly visible and constantly changing as the characters walk across the avenues or turn street corners: similarly, in interior sequences, moving characters are followed by the camera...