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...wrote The Left-Handed Gun, a Billy the Kid film that one critic called "Freud on the Range." There were plenty of mature, psychologically complex Westerns. In the original 3:10 to Yuma, the career killer and decent farmer hole up in a hotel room and have an extended existentialist conversation - like Sartre or Beckett, but at gunpoint. In Anthony Mann's Westerns with Stewart and Gary Cooper, a good man with a bad past would face his own demons. The final shootout was both a surge and a purge...

Author: /time Magazine | Title: The Wild West's Long and Winding Road | 9/21/2007 | See Source »

...statements, 11 weeks apart, are extravagantly dissonant. The first is typical of the woman the world thought it knew. The second sounds as though it had wandered in from some 1950s existentialist drama. Together they suggest a startling portrait in self-contradiction - that one of the great human icons of the past 100 years, whose remarkable deeds seemed inextricably connected to her closeness to God and who was routinely observed in silent and seemingly peaceful prayer by her associates as well as the television camera, was living out a very different spiritual reality privately, an arid landscape from which...

Author: /time Magazine | Title: Mother Teresa's Crisis of Faith | 8/23/2007 | See Source »

...should, of course, start with existentialist theorist Simone de Beauvoir’s classification of women as “the Other” in male-dominated society. While Beauvoir was of course not the first theorist to talk about self and Other, she did claim that men project their own insecurities on woman, devaluing them in order to privilege the male gender...

Author: By Jacob M. Victor | Title: The Second Campus | 3/20/2007 | See Source »

...only sweet and easy parts of the play were the M&Ms from the concession stand. “The Maids” might not have made my day easier, but it closed Burkle’s directorial career at Harvard on a high note. As in any existentialist voyage, the bumps in the road make the trip worth it: the maids’ games are a ticket to the darkest corners of the soul’s cage...

Author: By Pierpaolo Barbieri, CRIMSON STAFF WRITER | Title: Burkle’s Revolution Ends in the Home | 7/21/2006 | See Source »

Garrison Keillor is the voice of America's shrinking center, a melancholy flatlands existentialist who has masked his often dark materials under a slow-spoken amiability. His Lake Wobegon stories are nearly always about the failure of ideas and ambitions that the plain and simple folks of his fictional home town are too shy, too modest, to openly admit, let alone effectively act upon...

Author: /time Magazine | Title: A Prairie Home Miscalculation | 6/9/2006 | See Source »

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