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Bess Wohl's performance of Green Eyes is one-sided. Her character convincingly grapples with the poetics of existentialist fate and the maddening embrace of nihilism, but lacks the raw masculine coolness, control, and beauty that give Genet's character his depth and charisma. However, this weakness is compensated by both LeFranc's and Maurice's credible attraction for him, an attraction which renders Green Eyes more full than Wohl's performance alone...

Author: By William TATE Dougherty, | Title: Deathwatch Offers Sexy Psychological Drama | 3/4/1993 | See Source »

YEVGENI SLAVUTIN Director "The whole world is about to perish, and you sound like you want to drink tea!" shouts director Yevgeni Slavutin, 44. He is taking two actresses through the crucial scene in an existentialist drama, where a chance encounter between a city woman and a peasant turns into a test of strength that will decide the fate of the universe. Viewers must believe, he says, that this morality play is "their own story." Slavutin's Student Theater at Moscow State University has dramatized the most tumultuous events of the Soviet demise in the language of vaudeville sketches...

Author: /time Magazine | Title: Triumph of the Spirit | 12/7/1992 | See Source »

...Wednesday is `existentialist night' at Au Bon Pain," Howland explains...

Author: By Michelle K. Hoffman, | Title: Coffee-Colored Twilight | 6/2/1992 | See Source »

...hated the bogus mysticism that clung to interpretations of American art in the '50s -- the cult of the heroic personality, of expressive blood and guts, of the Artist as Fate-Defying Existentialist. "My painting represents the victory of the forces of light and peace over the powers of darkness and evil," Picasso had pompously announced in 1957. Well, fine, wrote Reinhardt, but "my painting represents the victory of the forces of darkness and peace over the powers of light and evil." How he would have loathed the market-and- genius cultism of the '80s! He defined...

Author: /time Magazine | Title: Art: Approaching Absolute Zero | 7/15/1991 | See Source »

...Conscience of the Eye does not just invite rereading--it demands it. The book is difficult without ever being jargony or abstruse; like his ideas, Sennett's prose is densely packed and complicated. In his aesthetics as well as his social philosophy, he is heavily influenced by modernist and existentialist demands for involvedness and interaction. In fact, Sennett's language creates for the reader exactly the kind of environment that he hopes our cities will one day embody. It is a landscape of the unexpected, of twists and turns and delightful discoveries. Familiar monuments spring to life, like Pushkin...

Author: By Adam K. Goodheart, | Title: Public Space: The City Examined | 2/15/1991 | See Source »

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