Word: characterã
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...hierarchical nature, emerged from anything but a radical time and place—late 1950s Harvard.Marglin describes the Harvard of his undergraduate years as a place that accepted the “established order” and was unwilling to contemplate its de facto all-white, gender segregated character??a place dominated by the children of elite prep schools and suffused with Cold War politics.At a dinner for national honors society Phi Beta Kappa graduates at the Signet Society, an official from the Eisenhower administration had been recruited to give the after-dinner speech. He addressed the importance...
...brother, scored the film. In the opening scene, the quick cross-cuts between shots of live-action and shots of a housing development model match the beats and thumps of the music. The sounds, however, are only a part of the film’s internal pulse. Each character??s arc acts as a sonata to the film’s whole, and scenes are explosive not because of physical action but rather because of latent energy. “Lymelife” is a dark satire, like “Little Miss Sunshine...
...half-hour long piece with the upmost precision and professionalism, never faltering for a second in their amount of energy and the care given to each move. In particular, the performance by Kristin E.I. Aune ’03—the “chosen” character??was truly remarkable. Using her body with the upmost precision, she successfully conveyed the essence of her part. While the technique of the dancers was exquisite, a fresher and bolder adaptation of the original ballet would have better served as celebration of the Ballet Russes. Although the choreography...
...role was still daunting. Priour’s character is a part-time “club designer” from New York City, a gay man who glories in his own flamboyance. And Priour isn’t just playing any gay character??he’s playing one of the leads of “Angels in America,” Tony Kushner’s groundbreaking, quintessential play about being gay in America...
...fresh air to the performance as Lulu, the young and attractive girl from the neighborhood. As the youngest member of the cast, Peacocke—who is a Crimson arts comper—definitely holds her own, as she effortlessly conveys Lulu’s complexity by highlighting the character??s youthful innocence and desire to be mature.However, the greatest applause goes to Ben T. Clark ’09, who steals the show with his portrayal of Goldberg, the sweet-talking, temperamental Jewish gangster. Clark’s representation of Goldberg is well complemented by the theatrical...