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...vampire, older than our country, has once again been appropriated for consumption by a modern audience in the shallow form of “Twilight” and the more thoughtful effort, “True Blood,” which possesses some capacity to reasonably incorporate the character??s symbolic relevance to modern issues.In the competition for ultimate domination of the American pop culture sphere, only obnoxious shows about equally obnoxious rich brats from Manhattan can even come close to challenging the vampires. The question, then...

Author: By Andrew F. Nunnelly, CRIMSON STAFF WRITER | Title: The New Hot Topic: Vamps Don’t Really Suck, Per Se | 9/25/2009 | See Source »

...Michael Rapaport) probably gives him the greatest sense of purpose his humble life has ever known. Oswalt—whose previous credits include voicing Remy the Rat in “Ratatouille”—gives an evocative and authentic performance. His naturally chubby physique complements his character??s infantile personality, both of which serve to present a man at odds with the world around him. Paul’s obsession extends beyond the realm of football; he’s created a lifestyle of blithe immobility and self-neglect on which he refuses to loosen...

Author: By Brian A. Feldman, CONTRIBUTING WRITER | Title: Big Fan | 9/25/2009 | See Source »

...with dramatic slow-clap in the final scene—but ultimately entertains thanks to the strength of its dead-on humor (literally). While the title was clearly meant to attract a lighthearted crowd in search of a happy ending and a few laughs along the way, the main character??s struggle to overcome his own grief emerges as the central, and most compelling, narrative. The film opens as Burke arrives in Seattle to lead a grief seminar. He is on the brink of a huge multimedia deal with Unicom, an entertainment conglomerate that wants to promote...

Author: By Anna E Sakellariadis, CRIMSON STAFF WRITER | Title: Love Happens | 9/18/2009 | See Source »

...unsatisfying account of 20th century history with a flurry of fictional accidents and tragedies that he seems to downplay as simple “proof of the irrationality of the future, the name we humans give to entropy.” Perhaps Volpi diminishes the significance of his character??s individual tragedies for the very purpose of making his point, but his failure to give us any reason to care about the characters who fall victim to tragedy renders his strategy ineffective. Despite a lackluster descriptive strategy and a mediocre voice, “Season of Ash?...

Author: By Monica S. Liu, CRIMSON STAFF WRITER | Title: 'Ash' is Dust on the Page | 9/11/2009 | See Source »

...According to his friends, it’s not just Spitzer’s intellect but his “character?? that makes him apt to play an enduring role in public service...

Author: By Ahmed N. Mabruk, CRIMSON STAFF WRITER | Title: Class of 1984: Eliot Spitzer | 6/2/2009 | See Source »

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