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Word: characterã (lookup in dictionary) (lookup stats)
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...Gilbert and Sullivan is just really fun plotlines that people can enjoy, and the music is beautiful,” says Marit A. Medefind ’12, who portrays Aline Sangazure. Her character??s relationship with her soon-to-be-husband Alexis Pointdextre is one of the key relationships of the plot...

Author: By Brian A. Feldman, CONTRIBUTING WRITER | Title: 'Sorcerer' Conjures Whimsical Fun | 11/6/2009 | See Source »

...backyard. It is much harder to connect with someone whose face betrays no feeling and whose prose includes lines like, “He’s the chosen one. He was born with flesh pockets.” By failing to give viewers a glimpse into its main character??s emotions, “Gentlemen Broncos” ends up feeling more like Benjamin’s clumsy science fiction than the work of a seasoned comedic director...

Author: By Rebecca J. Levitan, CONTRIBUTING WRITER | Title: Gentlement Broncos | 11/6/2009 | See Source »

...novel’s narrative mirrors the character??s existential crisis: Walker’s point of view (one among three) varies from first- to third-, and even second-person. The story opens in the first-person, from Walker’s perspective, on the streets of New York City in 1967: a student and writer at Columbia University, Walker meets at a party the inscrutable Rudolf Born—a professor who soon thereafter offers to finance a literary magazine that would have Walker at its helm. This role provides Walker with a definitive, if transient, identity?...

Author: By Hana Bajramovic, CONTRIBUTING WRITER | Title: ‘Invisible’ Remains Transparent | 11/6/2009 | See Source »

There are three primary aspects to character??race, character class, and alignment. Race is the choice among the dragonborn, dwarves, and Eladrin, among others. Character class determines whether a character is a cleric, fighter, ranger, or warlord. Alignment determines a character's moral compass, whether he is good or evil or someplace in between...

Author: By Elyssa A. L. Spitzer, CRIMSON STAFF WRITER | Title: Welcome to the Dungeon | 11/5/2009 | See Source »

English 154 grapples with this same idea. “Sexuality” has gradually displaced “soul,” “mind,” and “character?? as the most essential and salient ingredient in modern subjectivity, as the “truth of the self,” reads the course description. Temporary physical pleasure now outwits the soul, reason, and virtue. Gone are the days when we place value on condemning its consequences, though many conspicuously refuse to participate...

Author: By Rachel L. Wagley | Title: Something More | 11/3/2009 | See Source »

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