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...historical and write about all the missing persons who ever teased the world's imaginations--Judge Crater, Amelia Earhart, Ambrose Bierce, Agatha Christie, Aimee Semple McPherson and her faked kidnapping, Sherwood Anderson and his faked amnesia, Dr. Livingston--I would have presumed...

Author: /time Magazine | Title: Why I Won't Write About Chandra Levy | 8/6/2001 | See Source »

...write songs," Leiber and Stoller have often said. "We write records." Over the next five years, while managing an ever-drifting roster of Drifters personnel, Leiber and Stoller made gorgeous records. They got three particularly inventive pieces from Pomus and his new writing partner Mort Shuman: "This Magic Moment," "Save the Last Dance for Me" and the can-never-be-played-too-often "Sweets for My Sweet." L&S also encouraged the young songwriters in Broadway?s Brill Building - Gerry Goffin and Carole King ("When My Little Girl Is Smiling"), Barry Mann and Cynthia Weil ("On Broadway"), who were...

Author: /time Magazine | Title: Ahmet?s Atlantic: Baby, That Is Rock and Roll | 8/3/2001 | See Source »

...breakup might well have been pinned on George's increasing assertiveness as a songwriter and increasing inability to get along with Paul. George was the colorless Beatle, the dubious target of allegations of plagiarism, the man whose wife so cruelly inspired his lovestruck best friend Eric Clapton to write “Layla.” (And when the couple divorced and Clapton married Patti Harrison, who could not help but feel that the better man had finally...

Author: By David C. Newman, | Title: POSTCARD FROM LONDON: My Sweet George | 8/3/2001 | See Source »

...commitment to make my parents' divorce worth it, I started to feel that being married would be nice, a relief from contemplating what to do, a comfort in being able to plan the future. Plus, I realized the odds were slim of finding someone else who would let me write about...

Author: /time Magazine | Title: Millions of Women Weep | 7/31/2001 | See Source »

Zwigoff's major contribution to the script was the fleshing out of Seymour, a minor character in the comic. Zwigoff took aspects from Robert Crumb and his brother Charles, but mainly, the director says, "he was based on me." It was easier to write the character than to get the studio bosses' approval of the actor to play him. "I fought and fought to have Steve Buscemi. We could have made this film four years earlier if I'd agreed to cast the people they were giving me, like Freddie Prinze Jr.--people who were absurd for the part. Also...

Author: /time Magazine | Title: Cinema: A Ghost of a Chance | 7/30/2001 | See Source »

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