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Living in humid, jazzy 1930s St. Louis, the Wingfield family spends much of their time wishing they were elsewhere. Amanda (Caroline R. Giuliani ’11) constantly relives her past as a Southern Belle besotted by male attention. She wants the same youth for her 23 year-old daughter, Laura. But Laura (the wide-eyed Rachel A. Stark ’11—a Crimson news editor), who is slightly disabled and cripplingly shy, instead devotes her days to her collection of glass animals. In and out clamors Tom (David J. Smolinsky ’11), Laura?...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: ‘Menagerie’ Shines Despite Added Sap | 2/23/2010 | See Source »

Much of the production rests on making the audience a part of the crumbling Wingfield household, and O’Keefe craftily invites the viewer in. The seats are pulled in several feet from the wall, so that the Ex, already a small and snug performance space, here becomes even more intimate. When Jim and Laura share a charming dance toward the end of the play, the close setting makes the ethereal moment all the more fleeting...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: ‘Menagerie’ Shines Despite Added Sap | 2/23/2010 | See Source »

...Wingfield is no hero, no magician, no businessman. Tom is no writer; he has little save a cigarette. But, what he does have is a story: there was Laura, the painfully shy sister; Amanda, the worried mother; Jim, the gentleman caller; and there was Tom. Tom Wingfield has his memory...

Author: By Vicky Y. L. Ge, CONTRIBUTING WRITER | Title: Preview: THE GLASS MENAGERIE | 2/17/2010 | See Source »

...Keefe intends to reflect faithfully Williams’ nostalgic story, drawing the audience into the Wingfield family’s plight. “We can set up their world and invite the audience into it,” she says. “If we can keep it fresh and spontaneous for [the audience], then we have done...

Author: By Vicky Y. L. Ge, CONTRIBUTING WRITER | Title: Preview: THE GLASS MENAGERIE | 2/17/2010 | See Source »

...learned of this fall prisoner organ harvest through hidden camera footage taken by BBC correspondent Rupert Wingfield Hayes. In the video, Hayes strolls into one of the largest organ transplant centers in Northern China in order to procure a liver for his “ailing father.” Not particularly in the mood for subterfuge, Hayes asks the doctors if they received the organs from executed prisoners. The hospital officials cheerfully proclaim, “The prisoners on death row have done many bad things. Before they die they give their organs as a present to society...

Author: By Michael Segal | Title: The Myth of Morality | 2/6/2007 | See Source »

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