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Word: whitney (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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EDWARD HOPPER, Whitney Museum of American Art, New York City. A major realist painter, Hopper (1882-1967) is also an enduringly popular chronicler of New England lighthouses, late-night cafes and other American vignettes. Through...

Author: /time Magazine | Title: Critics' Choice: Aug. 14, 1989 | 8/14/1989 | See Source »

EDWARD HOPPER, Whitney Museum of American Art, New York City. A major realist painter, Hopper (1882-1967) is also an enduringly popular chronicler of New England lighthouses, late-night cafes and other vignettes of the American scene. The Whitney's collection of his work is unmatched, as this sampling confirms. Through...

Author: /time Magazine | Title: Critics' Choice: Jul. 31, 1989 | 7/31/1989 | See Source »

Stealing three F-16 jet-fighter engines and whisking them out of a military air base is no easy feat. The $2 million Pratt & Whitney machines are 17 ft. long and weigh more than 3,000 lbs. each. But two weeks ago, a military policeman at Utah's Hill Air Force Base towed the mighty machines through an unguarded gate and flogged them to a dealer in military surplus...

Author: /time Magazine | Title: Utah: Very Heavy Lifting | 7/24/1989 | See Source »

...artist's urine. Mapplethorpe, who died of AIDS in March, produced equally provocative work: his oeuvre includes pictures of nude children in erotic poses, a man urinating into another's mouth, and other violent and homosexually explicit poses. When some of the work was exhibited at New York's Whitney Museum last summer, there were averted eyes, even among those who make a career out of being avant-garde and supersophisticated...

Author: /time Magazine | Title: Whose Art Is It, Anyway? | 7/3/1989 | See Source »

This openness comes in part from what the catalog of her last big New York museum show -- at the Whitney, 20 years ago -- rather stiffly called the "landscape paradigm." Over the years, it has been landscape (its closeup detail and far extension, its variety of light and color) to which Frankenthaler's images were kin -- if not in descriptive convention, then certainly in general feeling. You know before you read the label that it is the sea, and not an abstract blue surface, that spreads out in Ocean Drive West...

Author: /time Magazine | Title: Art: A Love of Spontaneous Gesture | 6/12/1989 | See Source »

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