Word: whitney
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Dates: during 1950-1959
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Gertrude Vanderbilt Whitney Gallery of Western Art in Cody, Wyo. (pop. 5,872), this oversight was remedied. Now tourists, folklore specialists and art lovers alike can see in a handsome 240-ft.-long gallery the Old West in all its glory, ranging from an Indian brave's buckskin jacket with porcupine-quill embroidery and the original "Deadwood Stage" built in Concord, N.H. in 1840 to works by such master painters of the West as George Catlin, Albert Bierstadt and Alfred Jacob Miller, plus the entire studio collection of Frederic Remington, the greatest of Western painters, donated...
...week closed its books on the case of the Bumping Colonel and the Angry General. The colonel: Lieut. Colonel Charles Platt Jr., who bulldozed his way onto a Military Air Transport Service plane in Japan last month, unseating half a dozen Stateside-bound G.I.s. The general: Lieut. General Robert Whitney Burns, boss of U.S. military forces in Japan, who ordered the plane to return to its base and personally drove over to Tokyo's Tachikawa Airport to put the G.I.s back in their seats and to chew out Colonel Platt (TIME, April 13). As punishment for having commandeered...
...Brookmeade Stable's Sword Dancer got out front early and stayed there, had little trouble whipping a good field of three-year-olds over seven furlongs at Louisville's Churchill Downs, became one of the favorites for this week's Kentucky Derby. C. V. Whitney's filly, Silver Spoon, the sentimental Derby favorite, was a disappointing third behind Easy Spur...
...luck. At that point a veteran sergeant suggested: "Why don't you call General Burns? If anyone can help you, he can. I used to serve under him, and he's all right." Swallowing hard, Airman Bell found the home telephone number of Lieut. General Robert Whitney Burns. When a housekeeper answered, Bell asked to speak to the commanding officer of U.S. forces in Japan...
...elevators, once worked as doorkeeper at the Guggenheim Museum. He long hesitated between painting and writing, failed to paint a picture that struck him as "a personal statement" until he was 32. In the eleven years of his life that remained, Salemme sold pictures to Manhattan's Metropolitan, Whitney and Modern museums. He was also commissioned to paint murals for posh Manhattan House and the old Moore-McCormack liner Argentina. Yet he was more respected than sought after; Salemme and his family stayed poor...