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Her behind certainly speaks volumes, but no more than an ad for No Nonsense panty hose. Or maybe Diet Pepsi and "the shape that girl-watchers watch." Forty-five years ago Welles made two films that set a twenty-year peace for cinematic experiment. Now he's cribbing from underwear...

Author: By Mark T. Whitaker, | Title: H for Hype | 1/13/1977 | See Source »

The man remains nothing if not slick, though, and F for Fake still manages to stay one step ahead of the critic. Throughout the film Welles polemicizes against the expert. Who's to judge authenticity? Is there any such thing as true documentary? If not, who's to knock Welles...

Author: By Mark T. Whitaker, | Title: H for Hype | 1/13/1977 | See Source »

Welles crosses the screen, his foot-long cigar perched between his lips, and booms: "Picasso once said 'Truth is a Lie. A lie,'" he adds, 'which helps to understand reality.'" Take that detractors.

Author: By Mark T. Whitaker, | Title: H for Hype | 1/13/1977 | See Source »

Well, Welles may have launced F for Fake as a salvo against the experts, but Welles's most convincing case against flaunted connaisseurship did not emerge until he brought the film to Cambridge last weekend. It came during the event surrounding the premiere--at a press conference the morning before...

Author: By Mark T. Whitaker, | Title: H for Hype | 1/13/1977 | See Source »

Interlocutor: Mr. Welles, am I right in saying the last two reels of The Magnificent Ambersons are packed in a safe in South America?

Author: By Mark T. Whitaker, | Title: H for Hype | 1/13/1977 | See Source »

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