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Note: During all this the Public Address system at the Orson Welles Cinema, which charged three dollars a head for the lecture, has been picking up tunes from a local radio station. As Welles swings into his last pronouncements, the PA brings forth "The Hustle.")

Author: By Mark T. Whitaker, | Title: H for Hype | 1/13/1977 | See Source »

(Welles himself summed up the weekend perfectly, thirty years ago. He was on the set of The Third Man, giving his flawless performance as Harry Lime. The movie's producer, Alexander Korda, was getting on his nerves. Orson reportedly said to him, "I wish the Pope would make you a...

Author: By Mark T. Whitaker, | Title: H for Hype | 1/13/1977 | See Source »

The gush ran thick and embarrassing for a man whose career has proved such an anti-climax. The searching, potentially revealing questions about Welles floated over the exchange and remained unanswered. Not because questioners failed to hint at them, but because Welles himself didn't seem to catch their drift...

Author: By Mark T. Whitaker, | Title: H for Hype | 1/13/1977 | See Source »

These queries come by way of Welles's films about disillusionment and corruption: Kane, Lady from Shanghai and the incomparably vice-ridden Touch of Evil. Does Welles identify his life with any of the characters he played or created in these works? Like Michael O'Hara, the sentimental drifter in...

Author: By Mark T. Whitaker, | Title: H for Hype | 1/13/1977 | See Source »

Welles comes off as a man seeped in, and limited to, a theatrical attitude towards Art. (He never tires of adoring his cohorts.) O'Hara and Quinlan seems to work for him only because they make for good melodrama. When you think about this insight as a guide to his...

Author: By Mark T. Whitaker, | Title: H for Hype | 1/13/1977 | See Source »

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