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...Almodóvar sounds--as he admits he does--"feelthy" when he discusses Cruz's physicality, "those eyes, her beautiful teets," she doesn't mind, since he has given the slender actress the weightiest role of her career (and also maybe because somehow it doesn't seem as feelthy coming from a gay guy). The Oscar-winning writer-director of Talk to Her and All About My Mother cast Cruz as the embodiment of motherhood in a movie about three generations of women surviving the wild winds of his home turf, La Mancha, Spain--winds that blow in fires, death...

Author: /time Magazine | Title: How Pedro Rescued Penelope | 11/12/2006 | See Source »

...counsel for the American Civil Liberties Union (ACLU) of Massachusetts. “It’s a statutory decision.” Supporters of the bill all echoed Massachusetts ACLU lawyer Sarah Wunsch’s opinion that since the police “hold one of the weightiest positions in the government, we think it’s important to have the records open to public scrutiny.” Wunsch also represented The Crimson in the case against HUPD. Despite the leading Republican legislator postponing the vote, the issue is not as divisive as others...

Author: By Benjamin L. Weintraub, CRIMSON STAFF WRITER | Title: Senate To Vote On Public Records Bill | 2/10/2006 | See Source »

...August 1945, Harry Truman made the weightiest presidential decision of the 20th century. He later said he never lost a night's sleep over dropping the Bomb on Hiroshima. For that, some critics to this day condemn him for lack of reflectiveness--and worse. I'd call it decisiveness. And in wartime, decisiveness counts for more...

Author: /time Magazine | Title: The Trouble with Apologies | 4/26/2004 | See Source »

...August 1945, Harry Truman made the weightiest presidential decision of the 20th century. He later said he never lost a night's sleep over dropping the Bomb on Hiroshima. For that, some critics to this day condemn him for lack of reflectiveness - and worse. I'd call it decisiveness. And in wartime, decisiveness counts for more...

Author: /time Magazine | Title: The Trouble With Apologies | 4/19/2004 | See Source »

...from his galleries, there's a mini-show of Agnes Martin's delectable paintings, broad washes of color over a rectangular gridwork of lines drawn with a slightly trembling pencil. Something sings across those shivering wires. Dia also has the space to present some of the weightiest and most forceful postwar American art. The sheer tonnage of Richard Serra's Torqued Ellipses, 1996-97, or Michael Heizer's North, East, South, West, 1967-2002--four massive holes, each a slightly vertiginous 20 ft. deep--operates by pressing down into your nerve paths the heft, the lethal power, of the physical...

Author: /time Magazine | Title: Art: Let's Supersize It! | 5/26/2003 | See Source »

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