Word: vollard
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Dates: during 1980-1989
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...could be that no more new dealers of the traditional sort will actually come to power, so that the tradition that stretched from Ambroise Vollard to Leo Castelli and Paula Cooper will be lost. Big dealers will have their tame resident critics, as princes their poetasters. There will no longer be much distinction between collectors and dealers, and the collector-as-amateur will be extinct. On the boards of many museums, a new breed of broker, the collector-dealer-trus tee, will hold sway. And art will keep draining out of America toward Japan and Europe. Welcome to the future...
...Muslims (what about those scenes of false prophets in hell with Muhammad?) or, for that matter, to atheists offended by the intrusion of religious propaganda into a museum. A radical feminist could plausibly argue that her "nonreligious" beliefs were offended by the sexism of Rubens' nudes or Picasso's Vollard Suite. Doubtless a fire worshiper could claim that the presence of extinguishers in a theater was repugnant...
...compliant blond, who had never heard of him or his work, and offered nothing that even Picasso's egotism could interpret as competition. She became an oasis of sexual comfort. His images of Marie-Thérèse reading, sleeping, contemplating her face in a mirror or posing (in the Vollard suite of etchings) for the Mediterranean artist-god, Picasso himself, have an extraordinarily inward quality, vegetative and abandoned. In one sense, the body of Marie-Thérèse, curled up in Nude Asleep in a Landscape, 1934, is seen as a graffitist might see it?a lilac-toned pink blob...
...river gods, nymphs, Minotaurs and classical heads that fill the Vollard suite and spill over into innumerable drawings and gouaches of the 1930s are not the conventional decor of antiquity. They are more like emblems of autobiography, acts of passionate self-identification. Picasso's Minotaur, now young and self-regarding, fresh as a Narcissus with horns, now bowed under the bison-like weight of his own grizzled head, is Picasso himself. His Mediterranean images are the last appearance, in serious art, of the symbols of that once Arcadian coast...