Word: voix
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Dates: during 1960-1969
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...Ampex and Sony tape decks, McIntosh amplifiers, and six large speaker enclosures along the walls. The first Visage, "L'air et l'eau," was dull, using everyday electronic sounds to no new effects. It sounded distressingly like the background music to either an aspirin commercial or a spaceranger episode. "Voix de la Ville" and "Forges," on the other hand, were fresh, and full of exciting ideas, unusual sounds creating a wide range of mental images: massive steam engines running wild, fiery boilers bursting at the seams; or perhaps the violent battle between Orlando and Mandraicado, hundred-foot giants astride equally...
Sept Répons was one more reminder that Poulenc's genius lay more with choral music and songs than with instrumental music. His lyrical sensitivity to poetry led his songs into fragile moods that passed subtly from laughter into grief. "J'aime la voix humaine," he would say. and no composer of the century knew better how to write for it; Frenchmen now call him their Schubert, their Puccini. From the Mouvements Perpétuels he wrote at 19, through his days with the anti-impressionist Groupe des Six, on through all the rest of his career...