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Harvard Film Archive. 24 Quincy St.,Carpenter Center for the visual Arts. 495-4700."Tigrero" at 3, 7:30 and 9 p.m. "Histoire(s) 3 and4" at 7 p.m. "Histoire...

Author: By Kelly T. Yee, | Title: at harvard | 2/23/1995 | See Source »

Harvard Film Archive. 24 Quincy St.,Carpenter Center for the Visual Arts. 495-4700."The March on Washington" with Gerald O'Grady inperson at 5:30 p.m. "Wild Stawberries" at 7:30p.m. "Tigrero...

Author: By Kelly T. Yee, | Title: at harvard | 2/23/1995 | See Source »

Harvard Film Archive. 24 Quincy St.,Carpenter Center for the Visual Arts. 495-4700."Bondu Saved From Drowning" at 5:30 p.m. "Woman inthe Dunes" at 7:30 p.m. "Tigrero...

Author: By Kelly T. Yee, | Title: at harvard | 2/23/1995 | See Source »

Harvard Film Archive. 24 Quincy ST.,Carpenter Center for the Visual Arts. 495-4700."Wild Strawberries" at 5:15 p.m. "Pierrot le fou"at 7:30 p.m. "Tigrero...

Author: By Kelly T. Yee, | Title: at harvard | 2/23/1995 | See Source »

...iconoclastic school of Dadaism, photography parallels the development of fine arts rather than emulating it. Henri Cartier-Bresson and Frederick Sommer bring out visual puns of sexuality and tradition in their early 20th century images. In "Valise d'Adam" (1949) Sommers constructs a metaphorical expulsion of Eve from Adam's flesh: a blond baby doll emerging from a menagerie of fabricated objects in the form...

Author: NO WRITER ATTRIBUTED | Title: Shadows Captures Photography's Story | 2/23/1995 | See Source »

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