Word: bresson
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...style that predominates in current high-art festival films - films that rarely get much exposure in U.S. movie houses - is minimalist. Springing from the works of great directors like Carl-Theodor Dreyer and Robert Bresson, minimalism follows certain rules, as restrictive as Mennonite edicts. Pare down movie technique to its essentials; show characters behaving, however mutely, rather than acting; make viewers work for their epiphanies. This style has been responsible for many small, lugubrious films and - from directors who know how to make more of less - a few masterpieces. Silent Light is one of them...
...several remarkable things about this austere and masterly movie - which may remind cinephiles of the calm clarity and seeming simplicity of the French master, Robert Bresson - is that Bégaudeau is playing a version of himself, in a screenplay of his own devising that is in turn based on a novel that he also wrote. It is hard to think of another film more tightly autobiographical than this one. It's even harder to think of other films that build so gripping a narrative out of a string of comparatively minor and disparate incidents. For its first few minutes...
...things that’s nice in the book is that I talk about a lot of different photographers who influenced me and so there were all these legendary photographers. I like to talk about the traditions that I learned from Robert Frank and Cartier-Bresson who were legendary to me. I’m in this wonderful place where I get to meet some of the best people at what they...
...Since childhood it was my dream to go where all the poets and artists had been. Rimbaud, Artaud, Brancusi, Camus, Picasso, Bresson, Goddard, Jeanne Moreau, Juliette Greco, everybody - Paris for me was a Mecca. I had never traveled, never been to Europe, had very little money, so I worked in a factory and then in a bookstore and I saved for about two years. We just lived on bread and a little cheese, but it was so romantic. I imagined someday having a gallery and an atelier, and here I am. My atelier is a little hotel that overlooks Montparnasse...
...place, he was to Hong Kong what Robert Doisneau was to Paris - a chronicler in black and white of the sooty streets and ordinary people at his city's heart. But in his consummate sensitivity to the decisive moment, Yau was sometimes reminiscent of the great Henri Cartier-Bresson, and, like the French master, carried wherever he went a 35-mm camera - in Yau's case a Voigtlander Prominent - allowing him to move and shoot unobtrusively amid the throng...