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...exhibit makes reference to one of two motifs in the landscape tradition: the untouched romantic sublime exemplified by the Hudson River School and the carefully controlled nature exemplified by the formal French garden. In From a Distance, these hand-me-down conceptions are consistently subverted. The show is a visual diagram of a vicious cycle, of humanity's destruction of nature, and nature's unrelenting growth over humanity. Arturo Herrera's biomorphic felt wall sculpture, "Behind the House I," is the demonic overextension of romanticism's untouched sublime, displaying a terrifying kudzu-like growth which crowds the visual plane with...

Author: By John Hulsey, CRIMSON STAFF WRITER | Title: Fake Plastic Trees: The Future of Landscape at the ICA | 10/6/2000 | See Source »

...screen television. The two-hour pilot explodes with a flashback to Max's escape from a government compound in a high-volume snowmobile chase. The script is mixed: the slang can be forced, the attempts at Buffy-esque humor sometimes fall flat. But it yields up one stunning visual after another--Max perched atop a decrepit Space Needle; nine-year-old Max holding her breath under a frozen lake; Max coolly wheeling Logan down a hospital corridor as an explosion silhouettes her from behind...

Author: /time Magazine | Title: Television: 2020 Vision | 10/2/2000 | See Source »

...easy to see why music video veteran Tarsem Singh was attracted to directing The Cell, this summer's harshest piece of visual eyecandy, because so much of the movie is like a music video itself. The fil invites us to join Jennifer Lopez's sexy scientist as she journeys into the nightmarish psyche of Vincent D'Onofrio's twisted serial killer, but the invitation is just as much Tarsem's, as he bids us to enter a world in which the confines of narrative structure simply melt away. The problem with this visually arresting picture however, is that its disturbing...

Author: NO WRITER ATTRIBUTED | Title: Movie Warp Up: A Review of Summer 2000 | 9/22/2000 | See Source »

...thought-provoking photographs by Cam Mason '01 have been published in The Harvard Advocate, The Harvard Photography Journal and Diversity and Distinction, I was surprised to learn that Mason has only been seriously studying photography since the fall of 1999, when he took an introductory photo class in the Visual and Environmental Studies Department. Mason is keenly interested in pursuing filmmaking, saying that his penchant for black-and-white photography stems from his interest in film as well as art in general...

Author: By Marcelline Block, CRIMSON STAFF WRITER | Title: Show Off | 9/22/2000 | See Source »

Mason's description of his own photographs demonstrates how they combine his interests in both visual art and writing, as he says that he began to photograph subjects that he felt 'had a narrative, that were somewhat fictional.' Soon Mason moved on to shooting people in isolation, deep in thought, giving the viewer a small glimpse into their innermost worlds. However, Mason also takes pictures of his friends, dividing his time between what he characterizes as 'premeditated, set shots with a constructed narrative and spontaneous street photography.' On the whole, he prefers creating 'random' pictures of people he doesn...

Author: By Marcelline Block, CRIMSON STAFF WRITER | Title: Show Off | 9/22/2000 | See Source »

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