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...wasn't content supplying my dear admissions readers with supplemental materials and visual aids. I also ran with all of the advice I'd heard about painting yourself as well-rounded and quirky as possible. Asked my intended major, I wrote a passionate paragraph about my desire to study classics. Incidentally, this was not a completely manufactured passion. I had taken several years of Latin and made it through the Aeneid. But the minute I got to campus, I realized this had been a passing interest and never even glanced at the course offerings in Green and Latin...

Author: /time Magazine | Title: Why I Would Reject — and Even Laugh at — My Own College Admissions Application | 10/15/2000 | See Source »

...Koetsu's sources reached back hundreds of years, and yet his way of writing "fat and thin" characters, some bold and emphatic and others trailing to the faintest visual whisper, was peculiarly his own (at least among Japanese calligraphers) and difficult to emulate. His ability to work with space through writing struck his admirers as a marvel. Ernest Fenollosa, the great Boston connoisseur of Japanese art who did the most to introduce Koetsu to a Western audience at the end of the 19th century, went into raptures about it: "Such a unique feeling for spacing, placing and spotting has never...

Author: /time Magazine | Title: The Subtle Magic of Koetsu | 10/11/2000 | See Source »

...rose from collaboration among Koetsu, the painter Sotatsu, a suitably skilled papermaker, and - not least - the dead hand of the poet whose waka, or classic verses, Koetsu was transcribing. Some of the most beautiful things in this show are the shikisi, or poem cards, in which the visual form of Koetsu's writing chimes wonderfully with the loops and eddies of Sotatsu's water, the spikes of his plant stems and the slow blur of his distant mountains. And Koetsu's calligraphies on sheets of paper pasted together, paper made in the subtlest imaginable tints and textures, a salmon pink...

Author: /time Magazine | Title: The Subtle Magic of Koetsu | 10/11/2000 | See Source »

...outdo even Triple-A ballparks with cartoonish bells and whistles. At every foul ball, loudspeakers blasted the sound of smashing glass--even if they were grounders. One can't help feeling there's a lesson here for the steeplechase or dressage. Those top hats are just begging for a visual...

Author: /time Magazine | Title: Laugh Track | 10/9/2000 | See Source »

...glossy black-and-white prints she has pulled out of her well-worn leather portfolio are spread across the dark wood of the kitchen table. These are the photos she took last year for her Visual and Environmental Studies 40a project, which she modestly entitled Woman. Woman, she explains, focused on the image and transformation of the female body...

Author: By Christi Tran, CONTRIBUTING WRITER | Title: Show Off | 10/6/2000 | See Source »

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