Word: vision
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Dates: during 1960-1969
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...eyes insist that there is order among these exhibitions. Most obviously, they define a chronology of seeing through 700 years, during which the Western vision has come full spiral from the hieratic to the hieratic. For the anonymous Byzantine monk painting the Mother of God, the stylized emotions of iconography were public and functional, with few secrets but only shared mysteries; to Giacometti, portraiture was similarly stylized, yet obsessive and all but totally private. Between them on that spiral way, at the far point from which the return curve began, was Rembrandt, searching and searching his own face...
Fused Concerns. They step forth hesitantly, to look about them at a world which has come a long way from the crystalline vision celebrated by the icon makers. Yet Giacometti, however attenuated the impulse, is still in the lineage that reaches back to Bruegel's exuberant vision, Rembrandt's passionate introspection, the language of humanism. Across town at the Biennale, the young propose that the visual concerns of seven centuries have been mined out, exhausted. The argument is none too convincing among the melted statues and faltering gadgetry. It suggests that their alternative is itself running...
AFTER more than a year of study, the National Commission on the Causes and Prevention of Violence saw that grim picture of future life in urban America. The vision gave added urgency to the work of the commission's 13 members, who delved into every aspect of their subject from violence on television to gun control and assassinations. Last week, in their final statement, the commissioners called for a drastic change in the nation's priorities...
Angles of Vision. In A Doll's House, Ibsen showed the transition of a woman from a pampered doll to an independent being. In Hedda Gabler, he examines a woman who has totally left the doll's house in spirit, but who still occupies it out of social convention, a woman trying to "keep house" with desperate calm while undergoing an inner earthquake. One reason that the present production seems so fresh is that Hedda's plight is seen from Hedda's angle of vision. The ultraneurotic Hedda has always been seen from...
...only characters in this despairing vision who are allowed even a trace of self are a Radcliffe-educated Indian agent (Susan Clark) and the sheriff (Robert Redford) who heads the posse that hunts Willie. But the agent's social concern is only a manifestation of her neuroticism, and the sheriff's primitive feelings of empathy with the fleeing Indian are overcome by ingrained habit...