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...knows what he will say. But Wendell Willkie speaks more freely to newsmen than any other man of his public importance. And from what they heard him say, have come vibrant clues...

Author: /time Magazine | Title: FOREIGN RELATIONS: Gulliver's Traveler | 10/26/1942 | See Source »

...gets mixed up with Spring Byington (in her bedroom) during a blackout, and when the Widow Bainter wanders in on a kind of middle-aged seraglio scene with first-aiders all wound up in one another's bandages. Otherwise, high seriousness is the note, of which the most vibrant tone is Mrs. Hadley's remark after reading President Roosevelt's letter about her son's valor. "Oh, to think," quavers Mrs. Hadley, licked indeed, "of his finding time to write to me, with all the things...

Author: /time Magazine | Title: The New Pictures, Sep. 28, 1942 | 9/28/1942 | See Source »

...Aryan" birth, Satirist Grosz wisely fled to the U.S. He became a citizen, got a Guggenheim Fellowship and a job teaching at Manhattan's Art Students League. And then vitriolic George Grosz astonished his erstwhile admirers : his scratching pen gave way to an affectionate, romantic paintbrush. In lush, vibrant color, curling brush strokes that recalled Van Gogh's, he painted sunclean, little nudes in airy land scapes, glowing dunes and beaches of health and optimism. From the painter of Germany's grim, Gothic, post-war Walpurgisnacht, George Grosz was converted in the U.S. to a German lyricist...

Author: /time Magazine | Title: Art: GEORGE GROSZ | 9/14/1942 | See Source »

...rabbit, a seaman shaving in a hurricane, slapsticky Lou Costello is a successful clown. But most of it is South Sea stuffing, Hollywood style, with only two notable exceptions: a breakaway tune called Vingo Jingo (authors: Don Raye and Gene DePaul), and radio's vibrant-voiced Nan Wynn, now visible for the first time after her anonymous role as Rita Hayworth's singing voice in My Gal Sal (TIME...

Author: /time Magazine | Title: The New Pictures, Aug. 31, 1942 | 8/31/1942 | See Source »

...Lunceford record is blues with soup-and-fish on--a majestic, almost top-heavy, arrangement smoothly played with the firm rhythmic background characteristic of this band. The result is satisfactory, but the lyrics aren't given the rich, vibrant interpretation they get from Al Morgan these spring evenings down at the Savoy, where Sabby Lewis's boys often play over their heads backing him up. That authentic, low-down atmosphere of the blues loses itself in the dressiness of the performance...

Author: By Harry Munroe, | Title: SWING | 5/18/1942 | See Source »

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