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...Hall last Friday night while he practised his trumpet scales. Then, when he finally appeared, and the band swung through a loud and brassy and the band swung through a loud and brassy "Stompin' At The Savoy" it became clear that Louis Armstrong, at forty-seven, was still a vibrant, entrancing stage personality with a beautifully phrased trumpet and a voice that had lost none of its pre-war quality. It also became clear that his band was too loud. The high points came on the old Armstrong milestones like "Save It Pretty Mama" and "Ain't Misbehavin'" on which...

Author: NO WRITER ATTRIBUTED | Title: Jazz: | 4/21/1947 | See Source »

...face the Boston Athletic Association in the Garden December 16, Chase will have a wealth of talent from previous Varsity and Freshman squads from which to draw. Strongest at defense, he has four vibrant hopes in Oli Taylor, member of the famous '41 Freshman team and subsequent Varsity star; George Tilghman, last year's first-stringer; Bill Glidden, also on the '45 team as a sub; and George Gebelen, pre-war Freshman and Varsity player...

Author: By Robert W. Morgan jr., | Title: Lining Them UP | 12/3/1946 | See Source »

...Philadelphia General Meeting of the Religious Society of Friends-and invited Quakers from far & near to attend. The Hicksites' red brick, wide-eaved meetinghouse was filled, to near capacity (1,400) with sober Friends. On its cushioned brown benches they "centered down" before each session in the vibrant silence characteristic of Quaker worship...

Author: /time Magazine | Title: Religion: In One Spirit | 11/18/1946 | See Source »

...pink and purple Bathers was among Renoir's first postgraduate masterpieces. It took hundreds of preparatory drawings and three years of painting to finish, but with The Bathers Renoir got around to combining his new-found "living and restless" line and the vibrant, light-filled color which impressionism had given...

Author: /time Magazine | Title: Art: Back to School | 11/11/1946 | See Source »

Like Frankie, Jean latches on to a microphone as if it had gender. There the resemblance ends. Jean is middling tall, broad-shouldered, has a mechanical grin and a thick shrub of mustache, through which he filters a vibrant baritone like the late Russ Columbo...

Author: /time Magazine | Title: Radio: Homme Fatal | 9/9/1946 | See Source »

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