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...Colors: Large Nude" (1909-10). Here the simply conceived form of the reclining woman in the sketch is amplified by the free, expressive use of color--green highlights, purple-pink shade. The personality seen in the line is universalized by the abstraction of the color: the painting is a vibrant whole...

Author: By Eleni Constantine, | Title: Reflections in a Mirror | 12/16/1975 | See Source »

...section from a journal of "One of the first English-speaking explorers to enter North Dakota" do not fit into the context of the novel. But the prologue which tells of a man, lying beside his wife in bed, remembering a childhood race, is one of the most vibrant ever written. The symbols of the book are carefully introduced, but the reader, after finishing the book, is left uncertain as to whether the prologue is Woiwode's autobiographical note or the true end of the novel, to be read after the author's last chapter, "L'envoi...

Author: By Louann Walker, | Title: Creer Chee, Creaca Chee | 12/4/1975 | See Source »

...Chekhov, Rothschild plays a melody "so passionately sad and full of grief that the listeners weep ... and force him to play it as many as ten times." In Passions, Isaac Bashevis Singer's new collection, all 20 tales recall the earlier story, with its Russian theme transmuted by vibrant Yiddish inflection...

Author: /time Magazine | Title: Books: Fiddler | 10/27/1975 | See Source »

While tweeds and topsiders, lime green weaters and vibrant pink turtlenecks cruised the banks and bridges of the Charles shouting encouraging crew wittisms to the bypassing rowers, "Row rapidly Radcliffe" the coxswains and oarsmen seemingly inspired by their driving counterparts of Mem Drive put on a bumperboat steering display which would make the most seafaring gent swear off the waters for life...

Author: By Richard J. Doherty, | Title: Crews, Chaos Converge for Head of the Charles | 10/27/1975 | See Source »

Gato has matured, to borrow from some of Nat Hentoff's album lining prose, and his stuff has gotten more vibrant, if less free in form over the years. He has, however, traded in the top jazz back-up men for some players who would do better accompanying Bruce Springsteen. Now Gato's in town, but before you go down to Paul's Mall to see him, consider this: the last time he was in Boston he played nothing but jazz/rock including cuts from his "Alive" album, which he recorded one week after his appearance here...

Author: By Jim Cramer, | Title: Jazz | 10/9/1975 | See Source »

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