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Richard Strauss: Salome (Soprano Hildegard Behrens, Mezzo Agnes Baltsa, Tenor Karl-Walter Bohm, Baritone Jose Van Dam, Vienna Philharmonic Orchestra, Herbert von Karajan conductor, Angel; 2 LPs). With Karajan, the orchestral music comes first, even in opera. Here he conducts a vibrant, sensuous performance of Strauss's lurid opera. Behrens as Salome may lack the cruel edge of Birgit Nilsson's performance on London. But Behrens' pure voice contrasts chillingly with Salome's lust, while Van Dam's ringing Jochanaan is a saintly counterpoint in a savage world...

Author: /time Magazine | Title: Music: The Pick of the Holiday Season | 12/18/1978 | See Source »

...Every Woman," a livid example of her pulsating style, is a vibrant track complete with a voice soaring for an almost flawless sound. Almost. The music here is for dancing, not for understanding the muffled lyrics. It's not the album's best, but it's good...

Author: By Brenda A. Russell, | Title: Help From Her Friends | 12/14/1978 | See Source »

...dispute the impressive scholarly and professional qualifications of Robert Brustein. His writings have had a tremendous impact on American theater. Under his guidance, the Yale Repertory Company has been vibrant and innovative. The Yale School of Drama has established itself at the forefront of American theater training. On the surface, Brustein appears to have every credential to serve an apocalyptic function, to act as a White Knight who can ride in and take Cambridge by storm...

Author: By Stephen J. Toope, | Title: Brustein Boosters, Beware | 12/5/1978 | See Source »

...lifelong resident of the City of Boston, I was offended by the recent article in What Is To Be Done, "Southie Solipsisms." The article stereotyped South Bostonians as a bunch of racist, ignorant derelicts and perpetuated the misconceptions concerning a strong, vibrant community. My letter is not an attempt to whitewash the racial violence that has occurred in South Boston but instead to criticize anyone who seeks to rubber-stamp communities or people as belonging to a certain mold...

Author: NO WRITER ATTRIBUTED | Title: Southie Stalwart | 11/20/1978 | See Source »

...abstract expressionism. Hans Hoffman's "Blue Rapsody", not one of his better efforts, dominates one wall of the gallery and features fire-work burst of paint. Hoffman who was probably more influential as a teacher than as a painter during his lifetime, generally filled his canvass with intense, vibrant color...

Author: By Karyn E. Esielonis, | Title: Unveiling Unconsciousness | 10/12/1978 | See Source »

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