Word: velvet
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Dates: during 1990-1990
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...shadow of New Mexico's Sangre de Cristo Mountains, a buck with a velvet rack picks his way across a steep hillside, followed by three does. Hearing a noise, the deer turn toward a meadow filled with oak trees and sunflowers that glisten like gold coins. A band of backpacking Boy Scouts stare wide-eyed at this moment of natural theater...
...this is the year of color, remember): mohair coat, $725; cropped jacket, $575; knit dress, $230. The total for the ensemble: ! $1,530. That's not including the $68 wool scarf, $15 ribbed tights or the who- knows-how-much gloves. I bought a pair of stretch velvet leggings last year for $80 -- not exactly dirt cheap but top-notch fashion for the money. When I see stretch velvet leggings in the magazines for $500, I wonder what the other $420 is for. That's not style, that's trying to sucker...
...million Oscar nominee (The Elephant Man in 1980) to a $50 million sci-fi dud (Dune in 1984). Each film had segments of bafflement and spectral beauty. But Hollywood, looking at the escalating price tags and plummeting ticket sales, wrote the director off. So Lynch made Blue Velvet (1986), a magnificent revenge drama -- his revenge on fettered movie conventions -- about small-town life and lust, drugs and death. Twin Peaks, you could say, is only the TV domestication of that warped masterpiece...
...Southern Gothic soul, is a tonic for the senses and an assault on the sensibilities. Heads splatter, skulls explode, biker punks torture folks for the sheer heck of it, and a pair of loopy innocents find excitement in a side trip to hell. Pretty much like Blue Velvet. Yes, it's different, but the same kind of different; Lynch could no longer shock by being shocking. Many critics figured they had solved the mystery of his visual style and thematic preoccupations. Next mystery, please. By August, when the film opened in the U.S., the Lynch mob was more like...
...character in Dune says, "Let me teach you the weirding way." In 1986 Lynch took moviegoers the whole way with Blue Velvet (also, ironically, made for De Laurentiis). "I started with the idea of front yards at night," Lynch says, "and Bobby Vinton's song playing from a distance. Then I always had this fantasy of sneaking into a girl's room and hiding through the night. It was a strange angle to come at a murder mystery." The murders were the least mysterious element in this feral, fertile inversion of It's a Wonderful Life. Each shot was crafted...