Word: velasquez
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Dates: during 1930-1939
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...bayonets jumped from each car. The art treasures of Spain, snatched from Madrid's gun-gutted Prado and many another lesser museum, vandalized churches and bombed palaces, had reached safety in Switzerland. In the cars were 1,842 big packing cases, containing 266 masterpieces by El Greco, Goya, Velasquez, Titian, Rubens, scores of other paintings, priceless collections of gold and silver work, porcelain, tapestries, sculpture, manuscripts. For nearly two and a half years they had lain in crates, ponderously tagging after the defeated Government as it fled from Madrid to Valencia to Barcelona. Armored trucks finally took Spain...
...late William Merritt Chase, instructor in painting at the Pennsylvania Academy of the Fine Arts, was born in Indiana and adored Velasquez. His pointed beard and the Bohemian elegance of his clothes assisted his talent in making him the most popular teacher of his time. In the early 1900s, one of his favorite pupils was a spindly, silent young Philadelphian named Charles Sheeler. On seeing many a Sheeler sketch, the master would drop his beribboned eyeglasses and cry, "Don't touch it!", meaning that deliberation was bad for brilliance. If Charles Sheeler has proved anything in the past...
...knacks back to the Junta. ¶ Though the Prado has been bombed by insurgent planes, all of its treasures have been saved. They were moved first to the basement, then to the vaults of the Bank of Spain, finally to Valencia. One of the last pictures to leave was Velasquez' greatest picture, the Surrender of Breda, better known as The Lances...
Collector Frick paid more attention to the advice of experts than to his own taste but he did have a weakness for portraits. Two interested critics particularly. In the Oval room, flanked by Whistlers, hangs one of the greatest works of the world's greatest society portraitist-Velasquez's portrait of Philip IV" of Spain in a rose coat. This picture cost Frick $475,000. Round the corner hangs another portrait by another great countryman who for a time tried to paint in a way Velasquez did later, not realizing that he had spiritual gifts far greater than...
...painting have taken notes on a little group known as "The Eight." Of these young painters, mostly from Philadelphia, four were originally newspaper illustrators, who fought to fame against the stilted classicism of academic painting in the early 1900's. Their particular and private gods were Edouard Manet, Velasquez and Goya. Referred to as "The Ashcan School" by outraged critics, "The Eight" were: Robert Henri, John Sloan, George Luks, William J. Glackens, Arthur B. Davies, Ernest Lawson, Maurice Prendergast and Everett Shinn. They were men of vivid personality and all lived to attain considerable success of one sort...