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The sometimes garish colors seemed to produce a falsification. If any world needed to be filmed in black and white, it was what French Writer David Rousset called I'univers concentrationnaire. All that obscenity transpired in an absence of color: ashes and smoke were gray, the SS uniforms black...

Author: /time Magazine | Title: Time Essay: Television and the Holocaust | 5/1/1978 | See Source »

To defend Antonioni is impossible: his foes call him a bore, and all the talk in the world can't convince them they haven't been bored. On the other hand, those of us who enjoy his work ought to be able to explain why. Unfortunately, most favorable critics slaver...

Author: By Raymond A. Sokolov jr., | Title: Le Amiche | 5/14/1963 | See Source »

Underground Economist. The Théophraste Renaudot Prize went to David Rousset, for his L'Univers Concentrationnaire, a graphic, harrowing description of life in Nazi concentration camps in France. Rousset was a diligent researcher in TIME'S Paris Bureau before the war. After the occupation, he adopted the...

Author: /time Magazine | Title: FRANCE: Trauma | 7/8/1946 | See Source »

Up north at Basle in the German-speaking neck of Switzerland drowses a bleak building once the Hotel de I'Univers, today the financial watch tower not only of Europe and Asia but of the entire world. Through its small lobby scurry page boys, their grey liveries initialed in...

Author: /time Magazine | Title: INTERNATIONAL: Big Biz | 5/23/1932 | See Source »

Qui, penplant I'univers de fantomes brillants,

Author: /time Magazine | Title: The Theatre: Firmin G | 11/17/1924 | See Source »

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