Word: turman
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MARRIED. Aretha Franklin, 36, long-reigning queen of soul, rhythm 'n' blues, gospel and nearly every other popular music territory; and Glynn Turman, 31, handsome actor of stage (A Raisin in the Sun), film (Cooley High) and television (Peyton Place); in a ceremony performed by the bride's father, the Rev. Clarence Franklin, in his Baptist church, with music by the Four Tops; she for the second time, he for the third...
...1890s, the story focuses on Harry Brown Jr., a black hoofer played with high-stepping panache by Glynn Turman. Dreaming of fame on the minstrel circuit, he teams up with Charlie Bates, a shady con-mannerist portrayed by Tony Award Winner Ted Ross (The Wiz). The stage is still the white man's domain, however, and Bates, Brown and their fellow black performers must stick to the formula of blackface makeup and plantation humor. They are forced, in vaudeville's looking-glass world, to imitate the white man's parody of blacks...
...dirt onto one of them; on the run from a couple of guys looking to do him harm, one of Cooley's brighter hopes hides out in a bathroom where a young lady sits screaming on the toilet. The movie does have two energetic performances by Glynn Turman and Lawrence-Hilton Jacobs, but they are just about overrun. One of the Cooley kids takes off for Hollywood to become a successful screenwriter and, we are informed in a Graffiti-like postscript, really makes it. He always figured he would, since he was so good at the hustle...
...answer is not much more interesting than the question. It is, of course, both dislocating and diverting to have such small-time Chayefsky framed in a raw ghetto context. Much of the wild street talk is funny, and the acting often superb. Glynn Turman's Steve is a skillfully subtle combination of pride and confusion. Dick A. Williams' dazzlingly evil pimp sweeps round the stage, almost a production unto himself, costumed like a Liberace with soul...
...message, if it can be called that, seems to be that the remedy for marital discord is a coupling in the linen closet, that rebellion is raising a ruckus at the country club, and that happiness is a discarded towel. As Turman and Scriptwriter Lorenzo Semple Jr. (Pretty Poison) go for the simple solution, they favor the easy laugh. "Relax, enjoy the air," Alren tells Lisa, and there is a quick cut to a truck spewing exhaust. There are, in addition, the usual number of shafts directed at high-priced psychiatrists, high-pressure businessmen and-everybody's favorite-middle...