Word: toback
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Dates: during 1982-1982
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There are two character types that American movies have never believably portrayed: the international financier and the Third World revolutionary. By putting both in the same picture, Love and Money hardly doubles anyone's fun. Writer-Director James Toback labors under the delusion that he is a man of ideas, a Conrad or Dostoyevsky of the silver screen, and will go to any convoluted lengths to get a strained or totally phony argument going. In this case, the great mogul (played with a flashy show of menacing teeth by Klaus Kinski) wishes to bump off the revolutionary (Armand Assante...