Word: theseus
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Dates: during 1960-1969
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...enemies seeking entrance. Modern man reduced the notion to a geometric style of gardening, an intricate network of hedged alleys that can lead a visitor to an open space in the middle-if he makes all the correct turns. Still, mythology lent the maze heroic proportions: it took a Theseus to tackle the labyrinth at Knossos, kill the Minotaur within and return from the depths...
...need for originality is much prized by Cortazar. He once cast Theseus as a dullwitted, conventional, sword-swinging Victor Mature hero pitted against the Minotaur-seen as a poet-victim being set upon for his incendiary ideas. In a chapter of Cronopios and Famas, he offers Hamlet as a man obsessed with finding a five-leaf clover-a quest worthy of his proud and exceptional nature...
...Pudding veteran. Director Tim Mayer knows, among countless other things, something of the deceptive nature of initial appearance; the show's greatness rests largely on his refusal to submit to seductive archetype. Those of you who know Bottom as a goodhearted if demented bumbler, Puck as a juvenile sprite, Theseus as a wise Shakespearian justice, or Hippolyta as a content and passive fiancee, are due for the nicest kind of surprise; for in troubling to treat A Midsummer Night's Dream to a "new adaptation," Mayer has restored to us a worthy (and terribly funny) text in which many...
...away from its brilliant and dedicated cast. Dean Gitter's fascinating Bottom remains the most difficult performance to fathom: his "wit" in the scenes with Titania almost passes for just that, and his death scene as Pyramus reveals Bottom, unbelievably, a capable actor--capable at least of temporarily affecting Theseus and Hippolyta, played superbly by Tommy Lee Jones and Lynette Saxe...
...convenience between formidable technique and flaccid story. But at the Labyrinth pavilion the theme is handled by Canada's prize winning National Film Board with solemnity and skill. In the vaulted chambers of a windowless, five-story building, the viewer follows a restatement of the Greek myth of Theseus, who entered a labyrinth on the island of Crete to slay the monstrous Minotaur. In the pavilion the labyrinth is evoked by a series of eerie corridors and chambers, including one auditorium where audiences peer down from galleries on a swimming pool-sized screen. At the same time, an oblong...