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...skull. That's entertainment? As a series of isolated incidents, no; our nerve endings have long since been numbed by the movies' aimless carnage. But as garishly precise daubs in George Miller's apocalyptic fresco, they add up to exhilarating entertainment-and a textbook for sophisticated, popular moviemaking...

Author: /time Magazine | Title: Cinema: Apocalypse... Pow! | 5/10/1982 | See Source »

WHAT THE FEMINIST interpretation of Atwood's work ignores, though, is the texture and depth of even the most textbook "liberated" characters. In Life Before Man, the novel before Bodily Harm, for instance. Lesje, one of three narrators who form a triangle, holds a paleontology job at a Toronto museum. She works there passionately, betraying encyclopedic knowledge, weaving elaborate Cretaceous fantasies Atwood's twist makes the job consist in large measure of classifying, cleaning and filing innumerable Jurassic fish earbones...

Author: By Amy E. Schwartz, | Title: A Realistic Feminism | 4/20/1982 | See Source »

...specific contents or arguments--for Will himself relishes political argument for the sake of argument, not necessarily for its substance--but the phenomena the book highlights. While most columnists are content to rehash news events, adding a tinge of opinion called "analysis," or to provide simple textbook explanation. Will adds class to the profession, with his own pursuit of journalistic virtue

Author: By Jacob M. Schlesinger, | Title: A Thinking Man's Conservative | 4/20/1982 | See Source »

...accurately and completely, the task has become ever more arduous and exasperating. Congress loaded last year's tax bill with new deduction rules, depreciation formulas and tax-shelter gimmicks and thus added to the confusion that has already made the Internal Revenue Code scarcely more comprehensible than a textbook on quantum mechanics...

Author: /time Magazine | Title: Boom Time at Block | 4/12/1982 | See Source »

...more than a handful of winners are necessary to avert a full-scale depression in the book business. Some major corporations that backed publishing in the '60s and '70s, hoping for a big score, are pulling out. RCA sold Random House; CBS jettisoned Fawcett Books; textbook giant Scott, Foresman abandoned William Morrow. And the film studios, whose pictures often earned outsize profits for paperback tie-in editions, are equally cautious. A seven-figure property like Gay Talese's Thy Neighbor's Wife has yet to make it to the screen. Currently, the odds are against...

Author: /time Magazine | Title: Books: Hard Times in Hard-Cover Country | 3/22/1982 | See Source »

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