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...Rainey Bennett got his first artistic recognition as a high-school cartoonist in suburban Oak Park, Ill., helped pay his way through college by playing tenor banjo in a jazz band. He studied art in Chicago and Manhattan, now teaches it at Chicago's Art Institute. His favorite expletive: "Blue eggs...

Author: /time Magazine | Title: Art: Oil Water Colors | 2/5/1940 | See Source »

First, massive Tenor Lauritz Melchior publicly denounced Leinsdorf's wayward tempos and lack of experience, found him "not yet ready to be senior conductor of the finest department of the greatest opera house in the world." Next, famed Diva Kirsten Flagstad, who was staying away from the opera house with grippe, hinted to friends that she might not go back unless Conductor Leinsdorf was replaced. It was no secret to the Manhattan music world that Diva Flagstad was backing a favorite young maestro of her own: U. S.-born Conductor Edwin McArthur, who had been conducting all her performances...

Author: /time Magazine | Title: Music: Metropolitan Mutiny | 2/5/1940 | See Source »

When it was announced, after all this fuss & feathers, that both Conductor Leinsdorf and Tenor Melchior would perform last week in Gotterdammerung, operagoers jammed the Metropolitan to see the fun. Tenor Melchior was so nervous that he got his eagle-winged Norse warrior's helmet on backwards, but he sang as though he was out to bust his buttons. At the end of the act the audience clapped coldly for Tenor Melchior, gave Conductor Leinsdorf an ovation...

Author: /time Magazine | Title: Music: Metropolitan Mutiny | 2/5/1940 | See Source »

...week's end it looked as though General Manager Johnson had quelled the mutiny. It was announced that Diva Flagstad would be back to sing Walkure on Feb 8. Massive Tenor Melchior had apologized. Said Impresario Johnson: "The Metropolitan Opera is bigger than any individual. . . . Let's not bother with a tempest in a teapot...

Author: /time Magazine | Title: Music: Metropolitan Mutiny | 2/5/1940 | See Source »

...City colored sock style that sounds a great deal like Andy Kirk only much more cleanly performed and with better phrasing. Best example of this style (which he is using on most of his pop tunes) is the theme song with which he opens his broadcasts. Listen especially to tenor saxman Sam Donahue, who is one of the best white men playing. Gene's playing has quieted down into good solid drumming for the band instead of for himself, so that things really swing most of the time...

Author: By Michael Levin, | Title: SWING | 1/26/1940 | See Source »

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