Word: temptress
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...Cain saw it, woman was the temptress, and Cora was a wailing siren -Circe in a highway diner. Jessica Lange's Cora is trapped, no less than Nick and Frank, by the grim imperatives of the Depression and her search for the deepest sense of identity through sex. The actress's presence and gestural eloquence provided Rafelson with this point of focus: Cora knows who she is and what men will do to possess her. A fraternity of appraising eyes follows her on the streets, in court, at the diner. One managing, sad-faced, respectably poor-emerges from...
...Right must use Reagan as a scapegoat, says Weyrich, it will. Similarly, if Charles Grassley, Stephen Symms, Jeremiah Denton, or James Abdnor, the stars of the conservative Senate class of 1980, give in to the temptress Moderation during their first two years on the Hill, "we and they are in deep trouble," says Weyrich. At that point, Weyrich would "just look for new people for 1982, who are not connected to the others." He emphasizes the strength of the movement's ideological base: "The public apparently buys our position. Above all else we have to stick to that...
Smiling coyly at the camera as she hunkers down on the floor and spreads her denim-clad legs wider than a 21-in. television screen, the teen-age temptress murmurs huskily, "You know what comes between me and my Calvins? Nothing." Then Photographer Richard Avedon's lens zooms in to linger on Actress-Model Brooke Shields' taut jeans...
...multiply themselves in various roles throughout the evening. Woman One (L. Scott Caldwell) is Cephus' conscience, and principally his childhood sweetheart Pattie Mae. Jailed for refusing to fight in Viet Nam, Cephus loses his farm for back taxes. He gravitates to Woman Two (Michele Shay), a big-city temptress. The city shatters Cephus' moral gyroscope and drives him to drink and drugs, but in a finale that O. Henry might have relished, he gets to go back home again...
Only one character outside the family group appears at any length: the temptress in this rural Eden. An outraged father spoils the Miller's teenaged son's romance when he finds the shockingly explicit love poems by Swinburne that young Richard Miller has smuggled to his daughter. Heart-broken, Richard goes out for a night on the town with a friend of a friend whom he discovers to be a common prostitute. Daniel Sherman, the director, miscast Lydia Alix Fillingham as the whore. She perches on Richard's lap when she should sprawl. Her effort at a hard-boiled accent...