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...almost passive. But something magical happened when the cameras began to roll; her vitality warmed the set. "I don't really think she knew how intensely sexy she seemed to others," said Hawks. Hayworth was sweet and lovable in Cover Girl (1944), but she was also the timeless temptress in Gilda (1946), doing a wild rendition of Put the Blame on Mame for Glenn Ford, as well as Fred Astaire's exquisitely gracious partner in You Were Never Lovelier...

Author: /time Magazine | Title: Rita Hayworth: 1918-1987: The All-American Love Goddess | 5/25/1987 | See Source »

...Daniele Schecter, and Sarah Halper) is much more capable than the male. Schecter plays a delightfully sleazy general with leather skirt and riding crop, and ably changes gears to play a maid in the second half. Menes, as Lady Duncan-cum-witch, slinks gracefully around the stage, an able temptress. She should have given the rest of the performers lessons in poise...

Author: By Jeffrey J. Wise, | Title: One Dark Night in Scotland | 3/14/1986 | See Source »

...Orson Welles in Citizen Kane--is known as "deep focus." The use of deep focus lends a strong sense of realism to the film, portraying simultaneously the characters and their environment. Kusturica also imports some techniques from the genre of film noir, especially the notion of the woman-as-temptress (in this case the mistress), and the practice of photographing her image in mirrors...

Author: By Michael R. Mcadoo, | Title: When Father Made A Good Movie | 1/15/1986 | See Source »

...with stories of May's mother (half Yente, half Bakunin, she would cook stews and make bombs for the local anarchists in the crowded Brooklyn apartment): of her Aunt Giselle, in life a dried-up monument to all the revolutions that never happened, in May's stories a ravishing temptress; of Trasker, a "sort-of-uncle...

Author: By Hanne-maria Maiiala, | Title: Savagery Pays Off | 12/6/1983 | See Source »

Another disappointment is the movie debut of model/goddess Christie Brinkley as the temptress in the red Ferrari who leads Chase into all kinds of trouble. The Brinkley character--if you could call it that--is an obvious rip-off of the Suzanne Sommers' blonde in American Grafitti and has about as much personality as--well--a Sports Illustrated bathing suit spread. Brinkley--who is so sexy on paper--is embarrassing on celluloid, because, as simple as her part...

Author: By Michael W. Hirschorn, | Title: All I Ever Wanted | 8/2/1983 | See Source »

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