Word: telefunken
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Dates: during 1950-1959
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...Government also charged that RCA made cartel agreements with such foreign firms as Holland's Philips Lamp Works, West Germany's Telefunken and Great Britain's Electric & Musical Industries Ltd. (all named as coconspirators) not to license for manufacture or export their products into each other's sales territories, thus denied U.S. consumers the opportunity to buy competitive foreign radio apparatus...
...with a far stronger voice: a powerful, new transmitting station (cost: about $3,200,000). Located on a 200-acre tract at Santa Maria di Galeria, twelve miles northwest of Rome, the 100-kw. main transmitter, more powerful by 40 kw. than Marconi's, is equipped with 24 Telefunken directional aerials (designed to overcome variations in signal strength caused by fluctuations in the ionosphere). A second, medium-distance transmitter, able to blanket the Mediterranean basin, will replace the short-range broadcaster, but will not interfere with Rome's stations, as the old unit...
Other noteworthy new releases: Beethoven: Leonore No. 3, Egmont and Coriolanus Overtures (Joseph Keilberth conducting the Berlin Philharmonic and Bamberg Symphony Orchestras; Capitol-Telefunken); Liszt: Spanish Rhapsody (Miklos Schwalb; Academy); Mozart: Requiem (Hilde Gueden, Rosette Anday, Julius Patzak, Josef Greindl, Salzburg Dome Choir; Mozarteum Orchestra conducted by Josef Messner; Remington); Rimsky-Korsakov: Scheherazade (Minneapolis Symphony Orchestra conducted by Antal Dorati; Mercury) ; Schubert: A Song Recital (Herman Schey, bass-baritone; Poly music); Tchaikovsky: "Pathétique" Symphony (Philadelphia Orchestra conducted by Eugene Ormandy...
Gliere: Symphony No. 3 (St. Cecilia Academy Symphony Orchestra of Rome, Jacques Rachmilovich conducting; Capi-tol-Telefunken, 2 sides LP). Although his Red Poppy ballet music is better known, this is probably the best work of 75-year-old Reinhold Gliere, dean of Russian composers (see above). Finished in 1911, it is based on the legend of the Paul Bunyan-like Russian folk hero, Ilya Murometz. Huge in concept, it sometimes sounds like such non-Russians as Sibelius or Bruckner. Performance and recording: good...
Verdi: Excerpts from Falstaff (Mariano Stabile, baritone; Afro Poli, baritone; Vittoria Palombini, mezzo-soprano; Giuseppe Nessi, tenor; Luciano Donaggio, bass; La Scala Orchestra, Alberto Erede conducting; Capitol-Telefunken; 6 sides). Baritone Stabile, now 61, was the best Falstaff in the business when these recordings were originally made before World War II. Capitol's repressing job is good...