Word: teitelbaum
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Dates: during 1970-1979
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Side one is the title cut, "Space Minds, New Worlds, Survival of America," a 21-minute suite that explores a staggering variety of instrumental and ensemble textures. "Space Minds..." is something of a departure for Jenkins because of his use of synthesizer-player Richard Teitelbaum. This is the first time that Jenkins has written for an electronic instrument, but in Teitelbaum he has clearly found a kindred spirit...
...Teitelbaum, who has performed with Anthony Braxton as well as with his own electronic group, Musica Elettronica Viva, contributes lean, sensitive synthesizer work that is quite compatible with the suite's carefully structured textures and its theme of relentless exploration and discovery. Jenkins likes the futuristic associations of his oblique song title, and also "the poetic aspect, the way it can be said. 'Space Minds, New Worlds Survival of America.' It has a certain rhythm...
...nitty gritty of hiring decisions in the Economics Department and elsewhere to see whether senior faculty members are not guilty of a similar prejudice. While good looks may not be a criterion in some departments, "inside connections" certainly seem to be. In the Sociology Department, for example, Phyllis M. Teitelbaum, a graduate student in Sociology, was up for consideration as the Department's head tutor. Her work was highly regarded and she had the support of many of her former students and graduate colleagues in the Department. Her chance for appointment seemed pretty good until a senior faculty member received...
Regarding Phyllis Teitelbaum's letter of February 14: I invited eight different women, members of the faculty and administration, to participate in the Symposium on Affirmative Action, because I wanted to have a woman on this panel. For a variety of reasons, none of them accepted. That is the sole reason that there was no woman on this panel. Rabbi Ben Zion Gold Harvard-Radcliffe Hillel Society
What was that about goals? Phyllis Teitelbaum Resident Tutor